Dark Places: artists investigations of technological history

Louise K Wilson, Orford Ness, 2006
Louise K Wilson, Orford Ness, 2006

A session at the British Rocketry Oral History Project (BROHP) conference 2007

The Arts Catalyst presented the work of contemporary artists who explore the cultural and architectural legacy of the Cold War nuclear and space programmes as part of the British Rocketry Oral History Project (BROHP) conference 2007.

Speakers included the novelist and journalist James Flint, artist Louise K Wilson, and curator Rob La Frenais. The session was chaired by Nicola Triscott, Director of The Arts Catalyst.

James Flint discussed some of the issues raised in his novel The Book of Ash which wove American development of nuclear science into a gripping story of art, atoms, alchemy, politics and paranoia, and was inspired by the American “nuclear sculptor” James L. Acord. Louise K Wilson‘s artworks explore perceptual, social and cultural aspects of science and technology. In A Record of Fear, she created sound and video works for Orford Ness, Suffolk – formerly a secret military testing site. To create Spadeadam, she investigated a UK Cold War test site, now used by Britain's Royal Air Force as an electronic warfare training range. Rob La Frenais reviewed some of The Arts Catalyst’s art projects in the fields of space research and nuclear science and its work negotiating artists’ access restricted sites of science and technology in the UK and abroad.

Speakers Biographies:

James Flint is the author of the novels Habitus (1998); 52 Ways to Magic America (2002), which won the Amazon.co.uk Bursary Award for the year 2000; and The Book of Ash (2004), winner of a 2003 Arts Council Writers’ Award. He has also published a short story collection Soft Apocalypse – Twelve Tales from the Turn of the Millennium (2004). His short fiction has appeared in collections published by Penguin Books, the New English Library and the ICA. When it was published in France in 1992, Habitus was judged as in the top five foreign novels of that year's Rentrée Literaire. Time Out called it "probably the best British fiction début of the last five years". He has worked as a section editor for Wired UK and science editor of the technology and art periodical Mute, and has written features and reviews for many national newspapers and magazines, including The Guardian, The Observer, The Daily Telegraph, Time Out and Arena.

Louise K Wilson is a visual artist, whose work includes installations, sound pieces and video. Her recent work which springs from a curiosity into how the technology of flight affects our physiological states and psychological selves. To this end, she has participated in a movement experiment in zero gravity, co-opted a team of air traffic controllers in formation cycling on Newcastle Airport runway and been a passenger in an aerobatics plane repeatedly looping the loop. Previous associations have included the Montreal Neurological Institute, the Science Museum, London, the Gagarin Cosmonaut Training Centre, Russia, the RSPB and Tyne and Wear Fire and Rescue Service. Exhibitions have included Artists Airshow, RAF Farnborough (2004); Arena, Baltic (2003); Blue Streak, Tullie House Museum and Art Gallery, Carlisle (2003), Runway/ Spadeadam, Gallery TPW, Toronto (2003) and A Record of Fear, Orford Ness, for Commissions East (2005). Her video Spadeadam is in the Archive at the Imperial War Museum, London.

Rob La Frenais, Curator, The Arts Catalyst

Nicola Triscott, Director, The Arts Catalyst

Website links:

British Rocketry Oral History Project (BROHP) conference 2007