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CleanRooms, Oldham
Critical Art Ensemble, Beatriz Da Costa, Gina Czarnecki, Neal White, Brandon Ballengée, Ruth Ben Tovim
GALLERY OLDHAM, Oldham, Greater Manchester, UK
NATURAL HISTORY MUSEUM, Cromwell Road, London SW7, UK
05/10/2002 – 30/11/2002
New works by Gina Czarnecki, Neal White and Critical Art Ensemble with Beatriz Da Costa challenge our responses to biotechnology: a science often perceived as secretive and sinister.
Exploring ideas of contamination and containment, ethics and accountability, the works in the CleanRooms exhibition ask the audience to decide how far they themselves would go with the emerging powers of genetic manipulation.
CleanRooms includes major installations by Gina Czarnecki and Neal White, and performances of GenTerra by Critical Art Ensemble.
In Gina Czarnecki's Silvers Alter, life-size human forms "live" within a large video projection in the gallery. They are the subjects for you to manipulate and mate. The 'beings' you create have never existed before. Silvers Alter raises a simple question; to what extent are we prepared to participate in all that we have made possible and that we aspire to make possible for ourselves?
Neal White's Uncontrolled Hermetic recreates one of the controlled areas or clean rooms used in industrial biotechnology and pharmaceuticals. You, the visitor, fulfil the final part of this system, as the contaminating or contaminated body, the weakest link in the ultraclean technology chain: a human being.
US group Critical Art Ensemble with Beatriz Da Costa present their participatory performance GenTerra. Lab-coated representatives from the GenTerra biotechnology corporation introduce their transgenic bioproducts. An installation and a video of the performance explains their work and explores the pros and cons of transgenics
Artists in Residence
The exhibition at Oldham was accompanied by an extensive programme of educational and interpretative events, including artist residencies by Ruth Ben Tovim and Brandon Ballengee, Saturday workshops for children, talks and demonstrations. New York artist Brandon Ballengee worked with local unemployed young people to explore the origin, growth and contemporary practice of genetic engineering. From visits to local farms, pet stores, parks and markets, Ballengee and his collaborators trace the history of humankind's struggle for dominance over natural evolutionary forces, creating a gallery and on-line installation from images of domesticated and engineered organisms, titled From Farm 2 Pharm.
Catalogue
The CleanRooms catalogue is available to buy online from Cornerhouse Publications
Price £11.95
ISBN 9780953454617
Pages 48, Binding softback, illustrated in colour and b&w
Dimensions 220mm x 200mm, Weight 190g
Exhibitions
GALLERY OLDHAM, Oldham, Greater Manchester, UK
5 October - 30 November 2002
NATURAL HISTORY MUSEUM, Cromwell Road, London SW7, UK
20 June - 3 August 2003
STILLS, Edinburgh, Scotland
Gina Czarneckis's Silvers Alter was also show as part of the Designer Bodies: The Future Of Human Genetics exhibition at Stills Gallery, Edinburgh, Scotland, 3 April - 6 June 2004




