The curatorial collective Don’t Follow the Wind (Chim↑Pom, Kenji Kubota, Eva and Franco Mattes, Jason Waite) came into being through the exhibition project initiated by Japanese collective Chim↑Pom. On 11 March 2015, on the fourth anniversary of the earthquake and tsunami that triggered the crisis at the nuclear power plant at Fukushima, the curators working with a group of twelve participating artists including Ai Weiwei, Aiko Miyanaga, Chim↑Pom, Grand Guignol Mirai, Nikolaus Hirsch and Jorge Otero-Pailos, Kota Takeuchi, Eva and Franco Mattes, Meiro Koizumi, Nobuaki Takekawa, Trevor Paglen, Taryn Simon, and others opened an inaccessible exhibition entitled Don’t Follow the Wind inside the radioactive evacuated area surrounding the Fukushima Daiichi Nuclear Power Plant, comprising a series of projects presented at three venues – a warehouse, a farm with a home and an unopened restaurant, and a recreation centre.
Seven municipalities lie within the 337-square-kilometre zone currently under restrictions. An estimated 24,000 people are not allowed to return to their homes, many living in temporary housing for the past 5 years. In total more than 100,000 people have been forced to evacuate in the wake of the disaster, with tens of thousands more fleeing, fearing the potential health implications. Given that it may be decades or more before zones within the Fukushima Prefecture are declared safe from radiation and residency restrictions are lifted, it is reasonable to consider that the exhibited artworks will remain unseen and inaccessible for the probable future.
The project was named for the everyday actions and knowledge of an evacuee that became extraordinary as they fled south towards Tokyo after the disaster so as to avoid exposure to radiation borne on a northwesterly wind.
At Arts Catalyst, Don’t Follow the Wind present their new work A Walk in Fukushima , previously shown at the Sydney Biennale in 2016.
A Walk in Fukushima is an immersive 360-degree video piece viewed through headsets made in workshops with the former residents The headsets were made by three generations of the Fukushima family of artist Bontaro Dokuyama, who live just outside of the zone in a contaminated area deemed “safe to live” by the government. The grandson, mother, father, and grandmother all made headsets that share their objects and experiences from this new reality.
Filmed in and around the uninhabited radioactive area, the video presents an intimate experience of the inaccessible zone, the confidential venues for the exhibition Don't Follow the Wind, and the power plant itself. The artworks, which are installed in the resident’s former homes and working spaces within the exclusion zone, are largely obscured by the figures of the artists and members of the curatorial team, retaining their inaccessibility and remaining shrouded and invisible to the outside world; highlighting the ongoing impact of the events of 11 March 2011, and ensuring that Fukushima will not be forgotten.
The invisible exhibition is dated 11 March 2015 – ongoing, commencing on the fourth anniversary of the disastrous Tohoku earthquake and tsunami in Japan. It will open to the public when the exclusion zone is lifted. The project was initiated by Chimpom, and curated by Kenji Kubota, Jason Waite, and the artist duo Eva and Franco Mattes, with participating artists including Ai Weiwei, Aiko Miyanaga, Chim↑Pom, Grand Guignol Mirai, Nikolaus Hirsch and Jorge Otero-Pailos, Kota Takeuchi, Eva and Franco Mattes, Meiro Koizumi, Nobuaki Takekawa, Ahmet Öğüt, Trevor Paglen and Taryn Simon.
Supported by the Great Britain Sasakawa Foundation and Arts Council England.