Test Sites: Poole Harbour

Test Sites is Arts Catalyst’s series of inquiries into matters of concern connected with environmental change – such as flooding, pollution, and species loss – and their impact on local and their impact on local culture and the health and well-being of our ecosystems and ourselves. At each site, we invite local people to be part of art-led co-inquiries, working with artists, scientists, and other experts.

Test Sites: Poole Harbour was inspired by the idyllic landscape of this natural harbour with its serene wooded islands and beaches, a site of outstanding natural beauty, which boasts numerous Sites of Scientific Interest, the start of a UNESCO world heritage park, and countless European Union protected environmental habitats, and the contrast with the almost invisible network of oil industry activities and varied commercial and military interests that also characterise the area.During 2017 and 2018, Arts Catalyst has organised field trips, workshops and platforms bringing together artists, scientists, students and wildlife experts, many of whom lived locally to Poole, to explore the ecology and economy of the harbour area and Brownsea Island, and the shifting tensions between private land use and ecological needs, between scientific and amateur understanding of wildlife patterns, and between the competing needs of leisure boat users, tourists, shipping, the military, and the oil industry.

Core team members are artists Neal White and Anna Troisi, marine biologist Rick Stafford from Bournemouth University, and Anna Santomauro, Nicola Triscott and Claudia Lastra from Arts Catalyst. Other contributors include the Alternative School of Economics.

More information about future workshops, events and opportunities will be announced here and through our mailing list.

The project will gather pace during 2019 with workshops, residencies, situated knowledge and citizen science research leading to the creation of site-specific artworks, events, and alternative archives of knowledge.

Supported by EMERGE, Bournemouth University and the University of Westminster, in collaboration with Dorset Wildlife Trust, Lighthouse Poole and the Arts Development Company.

Image: Design by An Endless Supply

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A Public Hearing – Cromer Street Lyric

As part of Everyday Urbanism: Architecture as Social Process postgraduate students from Goldsmiths Centre for Research Architecture, University of London have been in residence at Arts Catalyst’s Cromer Street Centre throughout May and June 2016. During this time, they have developed a project titled A Public Hearing in which they have used the form and function of the public hearing as an aid for investigating a number of contemporary experiences. This has produced a eight channel sound installation, and a range of events examining different aspects of speaking and listening.

For the final event of the project on Saturday 25 June the group have invited local choir groups, singers and musicians for a new lyric to be composed; distilled from conversations with local people and sounds heard in and around the environs of Cromer Street in King's Cross.

This final installation of A Public Hearing, organised by students from the Centre for Research Architecture, looks at oral histories and the means by which knowledge can be altered and passed along. The process for composition will be collaborative – dialogue, consensus and disruption will be made evident in the final choral arrangement. Simultaneous to the performance a live recording with feedback will play in an adjacent room suggesting the configuration of Arts Catalyst as a sensing organ attuned to and bearing witness to unfolding events.

Event schedule

Saturday 25 June, 12 noon – 7pm
12 noon – 6pm Exhibition and performance
5pm – 7pm Closing Drinks reception

This event is FREE no booking required


A Public Hearting is supported by the Wellcome Trust and Arts Council England. 

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Material Nuclear Culture Roundtable Discussion

A discussion about art and nuclear culture will take place in the centre of the Material Nuclear Culture exhibition bringing together artists, submariners, and members of the Submarine Dismantling Project Advisory Group (SDP-AG) and NsubF Nuclear Submarine Forum in the South East.

Participants include: Les Netherton, chair of the SDP-AG; Mark Portman, WO1, Royal Navy (Submarines); Carien Kremer, Curator, William Morris Gallery; artists: Nick Crowe, David Mabb, Kota Takeuchi, Jon Thomson & Alison Craighead; Ele Carpenter, Curator; Nicola Triscott, Artistic Director of Arts Catalyst.

The discussion will take place around a reconstruction of James Acord’s roundtable that he built in his Hanford studio, USA 1999, to bring together environmentalists and people from the nuclear industry to discuss the clean up of nuclear materials at the Hanford site.

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Perpetual Uncertainty

An exhibition of contemporary art in the nuclear Anthropocene exploring the complexity of knowledge and the deep time of radiation.

The exhibition brings together twenty-five international artists from across Europe, the USA and Japan, investigating nuclear aesthetics through the material sensing of nuclear sites and experiences.

Exhibiting artists:
James Acord, Shuji Akagi, Lise Autogena and Joshua Portway, Erich Berger and Mari Keto, Nick Crowe & Ian Rawlinson, Don’t Follow the Wind, Dave Griffiths, Isao Hashimoto, Erika Kobayashi, David Mabb, Cecile Massart, Eva and Franco Mattes, Yelena Popova, Susan Schuppli, Shimpei Takeda, Kota Takeuchi, Thomson & Craighead, Suzanne Treister, Andy Weir, Robert Williams and Bryan McGovern Wilson and Ken + Julia Yonetani.

The exhibition is accompanied by The Nuclear Culture Source Book, edited by Ele Carpenter, and published by Black Dog Publishing in partnership with Bildmuseet and Arts Catalyst, London.

Download the exhibition guide.


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Nuclear Culture Project 2016/17

A curatorial research project led by Ele Carpenter, associate curator at Arts Catalyst, in partnership with Goldsmiths College.

The Nuclear Culture Project is a curatorial exploration of nuclear culture, which began with considering the conceptual and cultural challenges of dismantling nuclear submarines in the UK, inviting artists to consider the aesthetic, conceptual, ethical and cultural concerns of nuclear submarines in conjunction with experts in the field. The project is bringing together scientists, engineers and community activists with artists and ethicists to develop new opportunities for creative practice investigating nuclear culture. Specific areas of enquiry include: the invisibility of the nuclear economy, the Fukushima Daiichi Nuclear Power Plant meltdown, geological waste storage, the Anthropocene, and nuclear humanities.

The project involves artists’ field trips, commissioning new work and curating exhibitions, film screenings and interdisciplinary symposia, and public events and talks. Three groups of artists are developing new work in response to the culture of submarines, decay rates, and the architectures of decision-making: Jon Thomson & Alison Craighead; Nick Crowe & Ian Rawlinson; Lise Autogena, Susan Schuppli and David Mabb.

The Nuclear Culture website has more information about Ele Carpenter's research.

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Actinium – Residency, Exhibition & Fieldtrip, 2014

The Actinium publication is an account of the exhibition, field trip and discussion forum for Nuclear Culture during the Sapporo International Arts Festival in Japan, 2014.

Artists are making the nuclear economy increasingly visible by rethinking nuclear materials and architectures, decay rates and risk perception; questioning the 20th Century belief in nuclear modernity. As the international population becomes more aware of their role as participants in nuclear culture, this exhibition aims to create a space for open discussion.

The Actinium exhibition was an international hub for discussion about contemporary nuclear culture. The exhibition took place during the opening weeks of the SIAF 2014, and was the base for film screenings, discussion forum and field trips exploring the relationship between the metropolis and nuclear sites in rural Hokkaido.

Actinium is a radioactive element named after the Greek word ‘aktis’ a beam or ray, but its name reveals how little we know about the behavior of different kinds of alpha, beta and gamma radiation. Today the word actinium conjures ideas of action in response to radioactive materials as they enter the public realm through the nuclear cycle of weapons, energy, pollution and waste. Today artists and geologists explore the human time of the Anthropocene as the nuclear industry tries to reverse-mine radioactive waste back into the ground. The geological time frames for radioactive decay are beyond human comprehension and challenge the limits of knowledge and not-knowing.

The exhibition included works by artists James Acord (USA), Shuji Akagi (J), Chim↑Pom (J), Crowe & Rawlinson (UK/De), Karen Kramer (USA/UK), Cécile Massart (Belgium), Eva & Franco Mattes (USA), Thomson & Craighead (UK/Scotland) and was curated by Art Catalyst's Associate Curator, Ele Carpenter.

Actinium was curated by Ele Carpenter, Arts Catalyst, produced by S-AIR; and took place during the opening weeks of the Sapporo International Arts Festival (SIAF) in July 2014. The project was organised by NPO S-AIR, Sapporo. Supported by: Daiwa Foundation; Pola Foundation; The Agency for Cultural Affairs, Government of Japan; City of Sapporo; Arts Council England; Goldsmiths College, University of London.


Publication details

Actinium – Residency, Exhibition & Fieldtrip, 2014
Edited by NPO S-AIR and Ele Carpenter
Published in 2015
Cover design by Theodore Gray
Translated by Emi Uemura and Kyoko Tachibana
Colour and monochrome, 24 pages, softback and electronic

This publication has been made available as a PDF.

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The Nuclear Culture Source Book, Sept 2016

The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most urgent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production

The book brings together contemporary art practices investigating the nuclear anthropocene, nuclear sites and materiality, along with important questions of radiological inheritance, nuclear modernity and the philosophical concept of radiation as a hyperobject.

Building on four years of research into nuclear culture by the book’s editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists and is accompanied by a series of essays by international writers including: Peter C. van Wyck, The Anthropocene’s Signature; Gabrielle Hecht, Nuclearity; Tim Morton, Radiation as Hyperobject; Jahnavi Phalkey, The Atomic Gift; Noi Sawaragi, Don’t Follow the Wind; Eiko Honda, Atomic Subjectivity; Susan Schuppli, Trace Evidence: A Nuclear Trilogy; Victor Gama, Searching for Augusto Zita; Nicola Triscott on James Acord; and Ele Carpenter’s interviews with members of the Submarine Dismantling Project Advisory Group in the UK.

Featured Artists

James Acord, Shuji Akagi, Lise Autogena and Joshua Portway, Erich Berger, Chim↑Pom, Thomson & Craighead, Nick Crowe and Ian Rawlinson, Gair Dunlop, Emptyset, Merilyn Fairskye, Nina Fischer and Maroan el Sani, Victor Gama, Joy Garnett, Giuliano Garonzi, Grand-Guignol Mirai, Dave Griffiths, Annie Grove-White, Helen Grove-White, Isao Hashimoto, Hilda Helström, Cornelia Hesse-Honneger, Hollington and Kyprianou, Martin Howse, Pierre Huyghe, Ai Ikeda, Robert Jacobs and Mick Broderick, Katsuhiro Miyamoto, Yoi Kawakubo, Bridget Kennedy, Yves Klein, Erika Kobayashi, Karen Kramer, Sandra Lahire, Jessica Lloyd-Jones, Veronika Lukasova, David Mabb, Cécile Massart, Eva and Franco Mattes, William Morris, Yoshinori Niwa, Takashi Noguchi, Chris Oakley, Uriel Orlow, Trevor Paglen, Yelena Popova, Monica Ross, Susan Schuppli, Taryn Simon, smudge studio, Isabella Streffen, Shimpei Takeda, Nobuaki Takekawa, Kota Takeuchi, Mika Taanila and Jussi Erola, Robin Tarbet, Suzanne Treister, Alana Tyson, Mark Aerial Waller, Andy Weir, Jane and Louise Wilson, Louise K Wilson, Ken + Julia Yonetani.

The Nuclear Culture website has more information about Ele Carpenter's research.


“Marshall McLuhan said that art was an early warning system in times of technological change. In bringing together nuclear art and critical writings that tell our culture what is happening to it, Ele Carpenter’s compelling book proves him right.”
 John O’Brian, Curator of After the Flash, 2015

"A fascinating book visualising the affects of radiation at a time when radioisotopes from Fukushima are being detected around the world."
Dr Paul Dorfman, The Energy Institute, University College London

“It is important that different ways of understanding the nuclear industry are preserved for future generations. Artworks and books that explore nuclear culture will be archived in museum collections in perpetuity, providing an important contemporary view that is accessible to a wide range of people.”
Shelly Mobbs, Director, Eden Nuclear and Environment Ltd

Publication details

The Nuclear Culture Source Book
Edited by Ele Carpenter
Published by Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, Sep 16 in UK, Oct 16 USA/CAN
Dimensions 25 cm x 18 cm
208 pages


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Assembly on Useful Art, Science and Technology

As part of Notes from the Field, Arts Catalyst will present an 'Assembly on Useful Art, Science and Technology’. The assembly will host six speakers and two respondents, split across two consecutive sessions. Speakers will be made up of a trans-disciplinary group of artists, scientists, technologists, designers, curators and researchers who use science and technologies to activate social change. Together they will reflect on the possibilities of art as a tool or devise to effect radical change.

Panel 1

Veronica Ranner, Kit Jones (CAT), Dimitri Launder - Chaired by Alec Steadman, Arts Catalyst's Curator

Veronica Ranner is an artist and designer, researching the burgeoning domain of the bio­–digital — a converging knowledge space where digitality and computational thinking meets biological matter. She dissects and creates tangible and immaterial manifestations of such collisions, examining hereby the polyphonic potential of alternative technological futures as part of her practice-led PhD at the Royal College of Art

The Centre for Alternative Technology (CAT), situated in Wales, is an education and visitor centre demonstrating practical solutions for sustainability. CAT have developed and produced of a wide range of renewable energy systems.

Dimitri Launder is the founder of Artist Gardeners. With 12 years of experience designing, and building gardens, his concerns are often based on a playful humour and apocalyptic view of the sustainability of localised food production in an urban context. He believes the cultural and ecological legacy that we leave as a society is our collective responsibility.

Panel 2

Graham Harwood, Sylvia Nagl, Jonathan Rosenhead (BSSRS) - Chaired by Nicola Triscott, Arts Catalyst's CEO

Graham Harwood is one half of artistic collaboration YoHa, along with Matsuko Yokokoji. YoHa’s projects combine groups and individuals with the technologies that surround them, through a socially engaged and research based practice. YoHa produce powerful allegorical contraptions to form an understanding of complex social/technical systems.

Dr Sylvia Nagl is a trans-disciplinary complexity scientist who works on the interdependence of human and natural systems. She is interested in how the dynamic interactions of people with each other, with wider social, economic, political, and technological systems.

The British Society for Social Responsibility in Science (BSSRS) was the centre of a 'radical science' movement in the 1970s. The society was formed out of a campaign in 1968 against university research on chemical and biological weapons. Professor Jonathan Rosenhead has worked at London School of Economics since 1967 and been Professor of Operational Research since 1987. He was active in the BSSRS for 20 years, including a period as Chair.

Respondent: Gemma Medina Estupiñan (Arte Util, Archive Researcher).

Gemma Medina Estupiñan is an independent research curator and Art Historian (PhD in Contemporary Art History) based in Eindhoven. She was part of the curatorial team of The Museum of Arte Útil (Van Abbemuseum), leading the research to build the Arte Útil Archive and co-curating the public program. She conceived the project ‘Broadcasting the archive’ along with Alessandra Saviotti to emancipate the usership around the Arte Útil archive. ‘Broadcasting the archive’ is supported by  Mondriaan Fund.

Time break down
Panel 1: 17.00 - 18.30, Panel 2: 18.45 - 20.15, Respondents: 20.30 - 21.00

Advance tickets are £5, with refreshments provided. Booking details to follow.



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Notes from the Field: Commoning Practices in Art and Science

Arts Catalyst launches its Centre for Art, Science and Technology with Notes from the Field: Commoning Practices in Art and Science

This multi-faceted project investigates the notion of art as a tool or tactic for action with communities, with a focus on projects involving science and technology or driven by ecological concerns.

Notes from the Field… presents aspects of Arts Catalyst’s ongoing art and citizen science project Wrecked! on the Intertidal Zone with lead artists YoHa, Critical Art Ensemble, Andy Freeman and Fran Gallardo, who are working with communities on the Thames estuary. Alongside this, it presents the Arte Útil archive, a project initiated by artist Tania Bruguera, which chronicles a history of art projects that create tactics to change how we act in society.

In an archive room designed by Collective Works and ConstructLab, housing physical copies of selected Arte Útil case studies, and through exploratory workshops and discussion events, visitors will be able to speak with invited resident guests, undertake their own research, or propose new Arte Útil case studies. Contributing artists, scientists and experts to Notes from the Field… include Alistair Hudson, Dimitri Launder, Lisa Ma, Sylvia Nagl, Graham Harwood and Veronica Ranner.

More information about the 2016 programme can be found on the Arts Catalyst Centre launch press release.



Event Listings; Talks, Workshops and Seminars

Wed 27 January
Introducing Notes from the Field - Alistair Hudson and Graham Harwood in conversation, chaired by Nicola Triscott
Fully Booked

Fri 29 January
Assembly on Useful Art, Science and Technology – with Veronica Ranner, Kit Jones (Centre for Alternative Technology), Dimitri Launder, Graham Harwood, Sylvia Nagl, Jonathan Rosenhead (British Society for Social Responsibility in Science), Gemma Medina Estupiñan, Alec Steadman and Nicola Triscott.
Booking details

Thu 4 February
Socialising Activism - a talk with Lisa Ma
Booking details

Sat 6 February
Sketch a Bioluddite - a science and activism workshop with Lisa Ma
Booking details

Thu 18 February
Inter-species Technologies for Peripheral Contexts (the Bionic Sheep project) - a workshop with Fernando Garcia Dory
Booking details

Thu 18 February
Agroecology a New Kind of Neo Pastorialism - a talk with Fernando Garcia Dory
Booking details

Sat 27 February
Walking and Sensing in the City – a citizen science workshop with Andy Freeman
Booking details

Across March
A Remedy for the City – a workshop with Dimitri Launder
Fully booked

Thu 3 March
Planting in Concrete – A talk with Dimitri Launder
Booking details

Thu 17 March
Invasive Ecology – a working group with Fran Gallardo
Booking details

Sat 19 March  
Explore the Thames Estuary with your Tongue – with Fran Gallardo
Drop in no booking required


YoHa is a partnership between UK artists Graham Harwood and Matsuko Yokokoji, which has established an international reputation for pioneering critical arts projects, including Tantalum Memorial, Coal Fired Computers, Invisible Airs and Endless War. Critical Art Ensemble is an acclaimed US-based collective of tactical media practitioners, focused on the exploration of the intersections between art, critical theory, technology and political activism. Their work has been shown in major museums and biennales internationally.

Fran Gallardo is an artist and engineer, whose background includes studies in biochemistry, computing and space systems engineering. He is an active member of the Environmental Art Activism movement.

Andy Freeman is an artist, educator, technologist and former oyster farmer, whose practice that involves the combination of open data tactics and community engagement.

Tania Bruguera is a Cuban installation and performance artist. Her work pivots around issues of power and control. Several of her works interrogate and re-present events in Cuban history. On 2 January 2015, she was freed having had three back-to-back detentions in three days, and after over a thousand artists worldwide signed an open letter to Raúl Castro calling for her release.


This project is supported by The Arts Council England, with in-kind support from The Block.


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International committee on the cultural utilisation of space

The new IAF (International Astronautical Federation) Technical Activities Committee for the Cultural Utilisation of Space (ITACCUS) has been set up to promote and facilitate the innovative utilisation of space by cultural sectors of society internationally. The term 'utilisation' is used often by the space community. In a cultural context, it may include cultural production, cultural preservation, cultural representation, cultural education and cultural development.

The Arts Catalyst is a founder member of ITACCUS. The current Co-Chairs are Roger Malina, IAA and Laboratoire d’Astrophysique de Marseille, and Nicola Triscott, Director, The Arts Catalyst. Membership comprises individuals acting as liaisons for many cultural and space organisations (committee membership listed below).

In June 2008, in her capacity as ITACCUS Co-chair, Nicola Triscott was invited to make a presentation to the United Nations Committee on the Cultural Utilisation of Space (COPUOS) in Vienna. 

ITACCUS Activities

ITACCUS' activities comprise:

* Advocacy - promoting, developing and raising the profile and quality of ‘cultural utilisation of space’ within the space community and within the cultural community internationally, and with the general public

* Collaboration – organising meetings and workshops internationally.

* Communication & Dialogue – There is an ITACCUS Google Group with open membership

* Knowledge Hub

* Promoting Quality Cultural Products

ITACCUS Pilot Projects

    ITACCUS endorsed, and was launched to the public at, the Less Remote symposium at the 59th International Astronautical Congress in Glasgow in 2008.

    ITACCUS is endorsing a major European touring exhibition 'Republic of the Moon' which will open at FACT, Liverpool, UK, in April 2010. The curators of the exhibition include Rob La Frenais, The Arts Catalyst, and Mike Stubbs, FACT.

    ITACCUS will collaborate with the International Lunar Exploration working group to develop the cultural aspects of this work.

    ITACCUS is sponsoring a session on 'Water from Space: Societal, Educational and Cultural Aspects' at the 61st International Astronautical Congress in Prague in 2010. This will be a joint session between the IAF Space Education and Outreach Commitee and the IAA Commission VI.

    Committee Membership

    Co-Chair, Space Sector:

    • Roger Malina, IAA and Laboratoire d’Astrophysique de Marseille 
    • Co-Chair, Cultural Sector:
    • Nicola Triscott, Director, The Arts Catalyst, London 

    Cultural Sector

    • FACT (Foundation for Art and Creative Technology), Liverpool, UK: Mike Stubbs, Director, FACT 
    • Leonardo/OLATS, France: Annick Bureaud 
    • Srishti School of Art, Design and Technology, Bangalore, India: Geetha Narajanan, President
    • National Institute for Advanced Study, Bangalore, India: Sundar Sarukkai, Dean of Humanities
    • Space Art One, Paris, France: Jean Luc Soret, President 
    • Zero Gravity Arts Consortium, USA  (ZGAC): Frank Pietronigro 
    • The Arts Catalyst, London: Rob La Frenais, Curator 
    • UNESCO, Paris: Mario Hernandez 
    • Transmediale, Berlin: Steve Kovaz, Director 
    • ECAV, Switzerland: Georges Pfruender 
    • Les Abbatoirs, Toulouse: Pascal Pique, Curator 
    • V2_Organisation for the Unstable Media, Rotterdam: Alex Adrianssens, Director 

    Space Sector

    Space Agencies:

    • ESA: Miquel Pastor Vinader 
    • NASA (HQ): Steven J Dick  
    • NASA JPL: Dan Goods 
    • NASA JSC: Wendell Mendell 
    • JAXA: Matsuo Naoko 
    • Brazil: Aristides Pavani 


    • Athena Global, Canada: Karl Doetsch, President  
    • Deimos Space S.A.: Pedro Duque, Director General 
    • Lockheed (Palo Alto Research Labs): Frank Friedlaender 
    • Space Technology Ireland Ltd , Ireland: Susan McKenna Lawlor, President  

    Space NGOs:

    • Boston University, Center for Space Physics: Dr Supriya Chakrabarti 
    • International Academy of Astronautics: David Raitt, Commission VI Chair Ex Officio
    • International Federation of Astronautics, Education and Outreach Committee: Chris Welch 
    • International Lunar Exploration Working Group (ILEWG): Bernard Foing 
    • Hubble Space Telescope Institute: Carol Christian
    • Space Generation Advisory Council: Kevin Stube. Executive Secretary, Agnieszka Lukaszczyk  
    • Space School Africa, South Africa: Adrian Meyer, Chief Executive Officer 
    • Spaceland, Italy: Carlo Viberti, President 
    • U.N. Committee on Peaceful Uses of Outer Space (COPUOS): Ambassador Ciro Arevalo Yepes, Chairman of COPUOS
    • Institute of Astronomy, Cambridge: Barry Phipps

    Some Examples of Cultural Utilisation of Space

    A number of space agencies (JAXA, ESA, CNES, NASA for instance) have developed programmes that promote cultural uses (eg artist residencies, flights by artists on parabolic zero gravity training planes).

    UNESCO has an ambitious programme to use remote sensing from satellites to help document and protect cultural sites designed by UNESCO as World Heritage Sites.

    In 2005 the European Space Agency awarded a contract to The Arts Catalyst to develop recommendations for how ESA could develop a new category of users of the International Space Station (ISS) from the cultural sector (such as artists and performance companies).

    For the past 5 years JAXA has worked with art and architecture schools in Japan to develop ideas for culturally specific activities on the ISS.

    Cultural organisations The Arts Catalyst, Projekt Atol and ZGAC have organised parabolic flights specifically for cultural programmes. Commercial parabolic flight companies now routinely include artists. As mentioned above, ESA, CNES and the Russian Space Agency have accommodated artists on zero gravity flights on their training planes.

    A number of art museums have organised exhibitions of "space art" and space related art.

    A number of space science laboratories and observatories have hosted artists' projects and residencies, such as the NASA/Arts Council England residencies at Berkeley Space Sciences Laboratory.

    Many artists have used space data in the creation of artworks, such as using radioastronomy data to make sound art.

    Google Earth and Google Sky make available satellite remote sensing and astronomical data for all applications and uses both commercial and cultural.



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