Dark Places uncovers sites of secrecy and technology across the UK
New works by Neal White of the Office of Experiments, Steve Rowell, Victoria Halford & Steve Beard, and Beatriz da Costa explore spaces and institutions below the radar of common knowledge. Dark Places examines how artists are evolving strategies for art as a form of knowledge production, challenging accepted patterns in contemporary culture and society.
The Office of Experiments’ (OOE) Overt Research Project sets a background for Dark Places as it maps and records advanced labs and facilities that are unwittingly – or purposefully – concealed from public view. Developed by a team of independent researchers, 'Dark Places - South Edition', will feature an interpretive slideshow as well as field guide to local sites through an information kiosk. Elsewhere in the gallery, OOE celebrates the openness of knowledge through The Mike Kenner Archive. Revealing years of campaigning by one man into the public biochemical warfare experiments conducted by Porton Down (Salisbury), the work explores how 'Dark Places' throw their shadows onto those that question them.
Victoria Halford and Steve Beard's film Voodoo Science Park traces a secret geography of the Health and Safety Laboratory in Derbyshire, where train crashes and industrial accidents are re-created to examine their destructive pathways. Mixing fact and fiction, the film imagines a delayed encounter between poet William Blake and political philosopher Thomas Hobbes. The result is an uncanny meditation on science and popular memory.
Exploring the ‘dark places’ of zoological science, Beatriz da Costa’s A Memorial for the Still Living is a sombre reflection on endangered species of the British Isles. Presenting a selection of rare animal, insect and reptile specimens, including loans from the Natural History and Horniman Museums, da Costa identifies these collections – and the bleak future they imply - as sites of hidden knowledge.
Steve Rowell from the US group the Centre for Land-Use Interpretation (CLUI), in his project Ultimate High Ground, uncovers shared US-UK spaces of military power. Realised as a multi-screen film installation, the work focuses upon RAF Menwith Hill, North Yorkshire, a communications intercept and missile warning site, known for its distinctive raydome structures. Steve has also worked as a key researcher on the OOE Overt Research Project.
Dark Places also featured a filmed interview between Stephen Foster, Director, John Hansard Gallery and the exhibiting artists. A new publication, featuring a project introduction, artist contributions and an essay by Sally O’Reilly, will be available throughout the exhibition.
The Culture of Enthusiasm - Passion & Technology. Monday 23 November 2009 4-6pm. A discussion around the love, fascination and nostalgia for technology with Bee Thakore, Professor David Perrett and Neal White chaired by curator Rob la Frenais.
Secret Spies - children's workshop. Saturday 12 December 2009 11.30am-3.30pm. A free workshop for children to create and document their own endg=angered species using mixed media and sculpture.
The Cold War Legacy in the South - Secrecy and Technology bus tour. Saturday 23 January 2010 10am-6pm.
The Guardian, ArtDaily
Arts Council England
The Office of Experiments’ Overt Research Project is supported by UCL Department of Geography and The Media School, Bournemouth University. Led by Neal White with Steve Rowell and Lisa Haskell.
Dark Places is commissioned by The Arts Catalyst and co-curated with the Office of Experiments, John Hansard Gallery and SCAN.