Actinium – Residency, Exhibition & Fieldtrip, 2014

The Actinium publication is an account of the exhibition, field trip and discussion forum for Nuclear Culture during the Sapporo International Arts Festival in Japan, 2014.

Artists are making the nuclear economy increasingly visible by rethinking nuclear materials and architectures, decay rates and risk perception; questioning the 20th Century belief in nuclear modernity. As the international population becomes more aware of their role as participants in nuclear culture, this exhibition aims to create a space for open discussion.

The Actinium exhibition was an international hub for discussion about contemporary nuclear culture. The exhibition took place during the opening weeks of the SIAF 2014, and was the base for film screenings, discussion forum and field trips exploring the relationship between the metropolis and nuclear sites in rural Hokkaido.

Actinium is a radioactive element named after the Greek word ‘aktis’ a beam or ray, but its name reveals how little we know about the behavior of different kinds of alpha, beta and gamma radiation. Today the word actinium conjures ideas of action in response to radioactive materials as they enter the public realm through the nuclear cycle of weapons, energy, pollution and waste. Today artists and geologists explore the human time of the Anthropocene as the nuclear industry tries to reverse-mine radioactive waste back into the ground. The geological time frames for radioactive decay are beyond human comprehension and challenge the limits of knowledge and not-knowing.

The exhibition included works by artists James Acord (USA), Shuji Akagi (J), Chim↑Pom (J), Crowe & Rawlinson (UK/De), Karen Kramer (USA/UK), Cécile Massart (Belgium), Eva & Franco Mattes (USA), Thomson & Craighead (UK/Scotland) and was curated by Art Catalyst's Associate Curator, Ele Carpenter.

Actinium was curated by Ele Carpenter, Arts Catalyst, produced by S-AIR; and took place during the opening weeks of the Sapporo International Arts Festival (SIAF) in July 2014. The project was organised by NPO S-AIR, Sapporo. Supported by: Daiwa Foundation; Pola Foundation; The Agency for Cultural Affairs, Government of Japan; City of Sapporo; Arts Council England; Goldsmiths College, University of London.

 

Publication details

Actinium – Residency, Exhibition & Fieldtrip, 2014
Edited by NPO S-AIR and Ele Carpenter
Published in 2015
Cover design by Theodore Gray
Translated by Emi Uemura and Kyoko Tachibana
Colour and monochrome, 24 pages, softback and electronic

This publication has been made available as a PDF.

Project attached files: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Taxonomy - themes: 
Media or publication

Kota Takeuchi: Residency and Exhibition at Arts Catalyst

Kota Takeuchi will be artist in residency at Arts Catalyst's Centre during July 2016. His residency has been organised by S-AIR in Japan in partnership with Arts Catalyst, supported by the Sasakawa Foundation and Agency for Cultural Affairs, the Government of Japan.

During his time in the UK, Takeuchi will be researching the deep time concerns of monuments, site markers and memory around the UK and Belgium. He will undertake field research at the Belgian underground research laboratory for the geologic storage of radioactive waste in partnership with Z33 and the Belgian nuclear waste agency NIRAS / NIROND.
 
Kota Takeuchi in Discussion with Eiko Honda
3.00pm - 6.00pm, Sat 16 July 2016
Arts Catalyst Centre for Art, Science & Technology, 74-76 Cromer Street, London WC1H 8DR
Artist Kota Takeuchi in conversation with curator and writer Eiko Honda chaired by artist Kaori Homma from Art Action UK
During his time in the UK, Kota Takeuchi will be researching the deep time concerns of monuments, site markers and memory around the UK and Belgium. He will undertake field research at the Belgian underground research laboratory for the geologic storage of radioactive waste in partnership with Z33 and the Belgian nuclear waste agency NIRAS / NIROND.
 
On Saturday 16 July curator and writer Eiko Honda will be in discussion with Kota Takeuchi, chaired by artist Kaori Homma from Art Action UK. Kota Takeuchi's residency has been organised by S-AIR in Japan in partnership with Arts Catalyst, supported by the Sasakawa Foundation and Agency for Cultural Affairs, the Government of Japan.
 
EVENT SCHEDULE
 
3pm – 4pm KotaTakeuchi Open Studio
 
4pm – 5pm Eiko Honda in conversation with Kota Takeuchi, chaired by Kaori Homma.
 
5pm – 6pm Discussion and drinks
 
Kota Takeuchi is an artist based in Tokyo / Fukushima, Japan. He produces performative videos and oil paintings about how we physically view images of public scenery, social events, and their memory. His work explores the loop of digital image capture and distribution.
His solo exhibition Open Secret, 2012, explored the labour problems at the Fukushima Dai’ichi Nuclear Power Plant accident. Takeuchi acts as the agent for Finger Pointing Worker (a man who pointed at the public live camera at the Fukushima power plant after the disaster in 2011). 
 
Eiko Honda is a writer and curator of contemporary art and transnational intellectual history. She is the 2013-2016 curatorial fellow of the Overseas Study Programme for Artists, Agency for Cultural Affairs, Japan. She is a contributor to The Nuclear Culture Source Book, edited by Ele Carpenter, forthcoming September 2016. Recent papers include: 'Political Ecology of Art and Architecture in Japan: 100 Years Ago and Now' in Journal of Contemporary Chinese Art (Intellect, 2016). Her curatorial work is driven by the idea of history as an enquiry that unravels potential new understandings of the planetary past, future and present. Recent exhibitions include Saya Kubota: Material Witness, Daiwa Anglo-Japanese Foundation, London; and Missing Post Office UK, Ikon Gallery, Birmingham. 
 
Kaori Homma is an artist and co-founder and co-ordinator of Art Action UK. Homma is Associate Lecturer at University of Arts London at Central Saint Martins and Camberwell, Chelsea and Wimbledon Colleges (CCW), her art practice includes social engagement, fire etching and video exploring time, and reflecting on nuclear concerns. Art Action UK was established in response to the 2011 Japanese earthquake, tsunami and subsequent Fukushima nuclear fallout. The project supports artists who have been affected by natural and manmade disasters to undertake residencies in London including: Kyun Chome, Yoi Kawakubo, Komori & Seo, Hikaru Fujii, and Kaya Hanasaki. 
Project attached files: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Taxonomy - themes: 
Exhibition
Commission

The Nuclear Culture Source Book, Sept 2016

The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most urgent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production

The book brings together contemporary art practices investigating the nuclear anthropocene, nuclear sites and materiality, along with important questions of radiological inheritance, nuclear modernity and the philosophical concept of radiation as a hyperobject.

Building on four years of research into nuclear culture by the book’s editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists and is accompanied by a series of essays by international writers including: Peter C. van Wyck, The Anthropocene’s Signature; Gabrielle Hecht, Nuclearity; Tim Morton, Radiation as Hyperobject; Jahnavi Phalkey, The Atomic Gift; Noi Sawaragi, Don’t Follow the Wind; Eiko Honda, Atomic Subjectivity; Susan Schuppli, Trace Evidence: A Nuclear Trilogy; Victor Gama, Searching for Augusto Zita; Nicola Triscott on James Acord; and Ele Carpenter’s interviews with members of the Submarine Dismantling Project Advisory Group in the UK.

Featured Artists

James Acord, Shuji Akagi, Lise Autogena and Joshua Portway, Erich Berger, Chim↑Pom, Thomson & Craighead, Nick Crowe and Ian Rawlinson, Gair Dunlop, Emptyset, Merilyn Fairskye, Nina Fischer and Maroan el Sani, Victor Gama, Joy Garnett, Giuliano Garonzi, Grand-Guignol Mirai, Dave Griffiths, Annie Grove-White, Helen Grove-White, Isao Hashimoto, Hilda Helström, Cornelia Hesse-Honneger, Hollington and Kyprianou, Martin Howse, Pierre Huyghe, Ai Ikeda, Robert Jacobs and Mick Broderick, Katsuhiro Miyamoto, Yoi Kawakubo, Bridget Kennedy, Yves Klein, Erika Kobayashi, Karen Kramer, Sandra Lahire, Jessica Lloyd-Jones, Veronika Lukasova, David Mabb, Cécile Massart, Eva and Franco Mattes, William Morris, Yoshinori Niwa, Takashi Noguchi, Chris Oakley, Uriel Orlow, Trevor Paglen, Yelena Popova, Monica Ross, Susan Schuppli, Taryn Simon, smudge studio, Isabella Streffen, Shimpei Takeda, Nobuaki Takekawa, Kota Takeuchi, Mika Taanila and Jussi Erola, Robin Tarbet, Suzanne Treister, Alana Tyson, Mark Aerial Waller, Andy Weir, Jane and Louise Wilson, Louise K Wilson, Ken + Julia Yonetani.

The Nuclear Culture website has more information about Ele Carpenter's research.

Endorsements

“Marshall McLuhan said that art was an early warning system in times of technological change. In bringing together nuclear art and critical writings that tell our culture what is happening to it, Ele Carpenter’s compelling book proves him right.”
 John O’Brian, Curator of After the Flash, 2015

"A fascinating book visualising the affects of radiation at a time when radioisotopes from Fukushima are being detected around the world."
Dr Paul Dorfman, The Energy Institute, University College London

“It is important that different ways of understanding the nuclear industry are preserved for future generations. Artworks and books that explore nuclear culture will be archived in museum collections in perpetuity, providing an important contemporary view that is accessible to a wide range of people.”
Shelly Mobbs, Director, Eden Nuclear and Environment Ltd

Publication details

The Nuclear Culture Source Book
Edited by Ele Carpenter
Published by Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, Sep 16 in UK, Oct 16 USA/CAN
Dimensions 25 cm x 18 cm
208 pages

Stockists

Taxonomy - artists practice: 
Taxonomy - geographies: 
Taxonomy - themes: 
Media or publication

Assembly on Useful Art, Science and Technology

As part of Notes from the Field, Arts Catalyst will present an 'Assembly on Useful Art, Science and Technology’. The assembly will host six speakers and two respondents, split across two consecutive sessions. Speakers will be made up of a trans-disciplinary group of artists, scientists, technologists, designers, curators and researchers who use science and technologies to activate social change. Together they will reflect on the possibilities of art as a tool or devise to effect radical change.
 

Panel 1


Veronica Ranner, Kit Jones (CAT), Dimitri Launder - Chaired by Alec Steadman, Arts Catalyst's Curator

Veronica Ranner is an artist and designer, researching the burgeoning domain of the bio­–digital — a converging knowledge space where digitality and computational thinking meets biological matter. She dissects and creates tangible and immaterial manifestations of such collisions, examining hereby the polyphonic potential of alternative technological futures as part of her practice-led PhD at the Royal College of Art

The Centre for Alternative Technology (CAT), situated in Wales, is an education and visitor centre demonstrating practical solutions for sustainability. CAT have developed and produced of a wide range of renewable energy systems.

Dimitri Launder is the founder of Artist Gardeners. With 12 years of experience designing, and building gardens, his concerns are often based on a playful humour and apocalyptic view of the sustainability of localised food production in an urban context. He believes the cultural and ecological legacy that we leave as a society is our collective responsibility.
 

Panel 2


Graham Harwood, Sylvia Nagl, Jonathan Rosenhead (BSSRS) - Chaired by Nicola Triscott, Arts Catalyst's CEO

Graham Harwood is one half of artistic collaboration YoHa, along with Matsuko Yokokoji. YoHa’s projects combine groups and individuals with the technologies that surround them, through a socially engaged and research based practice. YoHa produce powerful allegorical contraptions to form an understanding of complex social/technical systems.

Dr Sylvia Nagl is a trans-disciplinary complexity scientist who works on the interdependence of human and natural systems. She is interested in how the dynamic interactions of people with each other, with wider social, economic, political, and technological systems.

The British Society for Social Responsibility in Science (BSSRS) was the centre of a 'radical science' movement in the 1970s. The society was formed out of a campaign in 1968 against university research on chemical and biological weapons. Professor Jonathan Rosenhead has worked at London School of Economics since 1967 and been Professor of Operational Research since 1987. He was active in the BSSRS for 20 years, including a period as Chair.


Respondent: Gemma Medina Estupiñan (Arte Util, Archive Researcher).

Gemma Medina Estupiñan is an independent research curator and Art Historian (PhD in Contemporary Art History) based in Eindhoven. She was part of the curatorial team of The Museum of Arte Útil (Van Abbemuseum), leading the research to build the Arte Útil Archive and co-curating the public program. She conceived the project ‘Broadcasting the archive’ along with Alessandra Saviotti to emancipate the usership around the Arte Útil archive. ‘Broadcasting the archive’ is supported by  Mondriaan Fund.

Time break down
Panel 1: 17.00 - 18.30, Panel 2: 18.45 - 20.15, Respondents: 20.30 - 21.00
 

Advance tickets are £5, with refreshments provided. Booking details to follow.

 

 

Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Event

Notes from the Field: Commoning Practices in Art and Science

Arts Catalyst launches its Centre for Art, Science and Technology with Notes from the Field: Commoning Practices in Art and Science

This multi-faceted project investigates the notion of art as a tool or tactic for action with communities, with a focus on projects involving science and technology or driven by ecological concerns.

Notes from the Field… presents aspects of Arts Catalyst’s ongoing art and citizen science project Wrecked! on the Intertidal Zone with lead artists YoHa, Critical Art Ensemble, Andy Freeman and Fran Gallardo, who are working with communities on the Thames estuary. Alongside this, it presents the Arte Útil archive, a project initiated by artist Tania Bruguera, which chronicles a history of art projects that create tactics to change how we act in society.

In an archive room designed by Collective Works and ConstructLab, housing physical copies of selected Arte Útil case studies, and through exploratory workshops and discussion events, visitors will be able to speak with invited resident guests, undertake their own research, or propose new Arte Útil case studies. Contributing artists, scientists and experts to Notes from the Field… include Alistair Hudson, Dimitri Launder, Lisa Ma, Sylvia Nagl, Graham Harwood and Veronica Ranner.

More information about the 2016 programme can be found on the Arts Catalyst Centre launch press release.

#NotesfromtheField

Event Listings; Talks, Workshops and Seminars

 

Introducing Notes from the Field
Wed 27 January
A conversation between Alistair Hudson, Director of Middlesborough Institute of Modern Art (MIMA) / co-director of the Asociación de Arte Útil, and artist Graham Harwood, chaired by Nicola Triscott, CEO of Arts Catalyst.
MIMA hosts 'The Office of Useful Art' where visitors are invited to join the Asociacion de Arte Util (Useful Art Association) – a membership organisation that promotes and implements Arte Util.
Graham Harwood is one half of artistic collaboration YoHa, along with Matsuko Yokokoji. YoHa’s projects combine groups and individuals with the technologies that surround them, through a socially engaged and research based practice. YoHa produce powerful allegorical contraptions to form an understanding of complex social/technical systems.
 
Assembly on Useful Art, Science and Technology
Fri 29 January
The assembly will host six speakers and two respondents, split across two consecutive sessions. Speakers will be made up of a trans-disciplinary group of artists, scientists, technologists, designers, curators and researchers who use science and technologies to activate social change. Together they will reflect on the possibilities of art as a tool or devise to effect radical change.
Panel 1
Veronica Ranner, Kit Jones (CAT), Dimitri Launder - Chaired by Alec Steadman, Arts Catalyst's Curator
Panel 2
Graham Harwood, Sylvia Nagl, Jonathan Rosenhead (BSSRS) - Chaired by Nicola Triscott, Arts Catalyst's CEO
Respondent: Gemma Medina Estupiñan (Arte Util, Archive Researcher).
Gemma Medina Estupiñan is an independent research curator and Art Historian (PhD in Contemporary Art History) based in Eindhoven. She was part of the curatorial team of The Museum of Arte Útil (Van Abbemuseum), leading the research to build the Arte Útil Archive and co-curating the public program. She conceived the project ‘Broadcasting the archive’ along with Alessandra Saviotti to emancipate the usership around the Arte Útil archive. ‘Broadcasting the archive’ is supported by  Mondriaan Fund.
 
Socialising Activism - A Talk With Lisa Ma
Thu 4 February
“The future of activism isn’t loud. There’s a world of innovation in the field of activism that we are wasting away.”
Lisa Ma has been invited to contribute to Notes from the Field: Commoning Practices in Art and Science, as a resident researcher, speaker and workshop leader. In this talk Lisa will introduce her practice as a design activist, using innovative solutions to think through local social problems across the globe. 
Lisa socialises activism. Combining ethnographic research and speculative design, Lisa Ma creates platforms of engagement from surprising insights and processes that deeply resonate with the global technological community.
Placing herself as a critical explorer, Lisa Ma has built, for the city of Ghent - a political culture of consuming the invasive species that the vegetarian town would otherwise pay to poison; for a joystick factory in Shenzhen - coined the scheme of Farmification to save the worker community through technology innovation; for London Heathrow Airport - gather opposing communities between planning historians, activists to construct heritage tours of the surrounding villages under threat from the airport expansion. Through sweet storytelling of unlikely events, Lisa Ma bridges organisations with communities and through everyday clashes of values between what we do and what we believe in to make us think deeper about the future.
 
Sketch a Bioluddite - A Science and Activism Workshop with Lisa Ma
Sat 6 February
For every technological era, there are sub-cultures that resist the flow and whose critical perspective inspires the rest of society. This workshop invites the general public and scientists to a comic forensic sketch to identify an emerging subculture called Bioluddites.
What does society look like when you put historic activists with future science? Lisa Ma invites scientists, biohackers and the general public to an open forensic sketch session.
Lisa believes that designing a cultural memory of activism in technology is an essential part of public engagements with science. She provokes the scientific community by asking everyone to imagine how Luddism would affect society in the Biotechnological era. Rather than portraying these historical activists as criminals of the past, Lisa Ma argues that they are in fact the engaged citizens of the future.
This workshop will ask:
Why should scientists anticipate activism with their technology?
What might the general public celebrate in Luddism?
How could biohackers socialise activism for a result that is more productive than political engagement?
 
Inter-species Technologies for Peripheral Contexts (the Bionic Sheep project) - A Workshop with Fernando Garcia Dory
Thu 18 February
Artist, Fernando García-Dory, has been invited to contribute to Notes from the Field: Commoning Practices in Art and Science to present his Bionic Sheep project, part of the Arte Util Archive with a workshop and talk.  Join Fernando and guests for a discussion and workshop on his concept how art can connect with territories, native cultures and other species, and about the specific system shepherd-sheep-wolf today . In this workshop there will be the chance to draft models for a 21st century shepherds hut and learn the inner workings of the ultrasonic Flock Protection System for sheep, as well as gain insight into the behaviour of wolves.
Fernando will be joined by specialists Sue Hull (Co-Director of the UK Wolf Conservation Trust) an expert in animal behaviour and Paolo Cavagnolo, a hacker and electronic engineer who will dissect the technical details of the Bionic Sheep prototype.
The wolf has captured imaginations for as long as humans have been living in settled communities, appearing in different guises in folk tales and peasant songs as a wily predator and a fiendish seducer. Today they are seen by urban societies as a paradigm of wholeness and freedom. In recent years there has been a growing emphasis on protecting wolves and other predator species and even re-introducing them into certain rural areas. This is creating an increased conflict between what is left of the pastoralist cultures and domesticated animals and this wild species.
Since 2006, artist Fernando Garcia Dory has produced various prototypes of 'Bionic Sheep', In collaboration with shepherds and engineers. The 'Bionic Sheep' project is a portable, solar-powered, ultrasonic flock protection system for sheep. The system provides a technological and creative solution to the age-old pastoral rivalry of the shepherd and the wolf so that wildlife and farmers can co-exist in harmony.
Fernando’s work engages specifically with the relationship between culture and nature now, as manifested in multiple contexts, from landscape and the rural, to desires and expectations concerned with identity, through to (global) crisis, utopia and the potential for social change.
As the artist states; "From the frozen tundra where Sami reindeers graze, to German prairies to Portuguese remote mountains, the war between wolf and shepherd is increasing, with it, worldviews and ecosophies's clash. There is a gulf between the re-wilding ideology and deep ecology, on the one hand, and social ecology and agroecology ideas on how to solve culture-nature frictions, on the other."
 
Agroecology a New Kind of Neo Pastorialism - A Talk with Fernando Garcia Dory
Thu 18 February
Artist, Fernando García-Dory, has been invited to contribute to Notes from the Field: Commoning Practices in Art and Science, as a resident researcher, speaker and workshop leader. His work engages specifically with issues affecting the relation between culture-nature now, embodied within the contexts of landscape, the rural, desires and expectations related with aspects of identity, crisis, utopia and social change. He studied Fine Arts and Rural Sociology in Madrid, Spain and Ritveld Akademie Amsterdam.
In this talk he will discuss his work on agroecology and his current sociological and technical collaborations with engineers, communities and  other specialists.
His work stems from an interested in the harmonic complexity of biological and technical forms and processes, his work addresses connections and cooperation, from Microorganisms to social systems, and from traditional art languages such as drawing to collaborative agro ecological projects, actions, and cooperatives.
Engaging directly with issues affecting rural communities, García-Dory develop his "ethical-aesthetical" agroecological projects, such as working with shepherds who are trying to preserve their rights and way of life in the face of EU and tourist industry pressures, directing a Shepherds School there, and building huts open for newcomers; seed savers networks linked to hackers working to counteract patents on life forced by agribusiness and genetic engineering firms; and diverse interventions projects in Europe, India, Mauritius, Equator and other places.
Recent projects have been with Casco, Utrecht, Insite Casa Gallina, Mexico, Betonsalon, Paris,  Istanbul Biennale and he is working towards the upcoming intervention for Gwangju Biennale. 
 
Walking and Sensing in the City – A Citizen Science Sorkshop with Andy Freeman
Sat 27 February
Artist and technologist Andy Freeman has been invited to contribute to Notes from the Field: Commoning Practices in Art and Science, as a resident researcher, speaker and workshop leader. In this event Andy takes participants on a part walking tour – part citizen science workshop in Camden. Freeman considers that citizen science practice is a form of ‘tactical living’ drawing together different knowledge sources (scientific, governmental and localised knowledge) meaning that we can monitor the environment we live in and become informed of changes that affect our health and other forms of life in the city.
You will learn how to monitor air quality, test soil and water for toxicity and discover historical, biological, industrial, technological and hidden and situated knowledge in the borough.
Please note this workshop involves a 1.6 mile round walk.
 
A Remedy for the City – A Workshop with Dimitri Launder
Across March
Dimitri’s projects as Artist Gardener offer a gentle provocation to an apocalyptic view of urban ecological sustainability. His work often explores the liminal issues between public and private use of space, aspiring towards transformative urban propagation. Launder’s project Apothecary Arboretum is featured in Arte Util’s archive the aim was to create a garden both medicinal and edible, in a concrete neighbourhood. From this living eco-system of vertical, apothecary sculpture: prototype 1.0, he discusses his approach to his merging medicinal, historical, social knowledge in an urban context.
Over March 2016, Dimitri, along with Calthorpe Project (community garden) will investigate growing natural remedies in 'living pills' of ingredients - Kokedama. They will question the liable and liminal practices of home grown and foraged remedies and its challenges in our age of commercial medicine and whether the diseases of our city relate to medicinal plants in our locality? Together they will investigate and record stories of the traditional use of plants from members of the community whilst planting medicinal moss-balls.
Dimitri's experience in this grafted practice has developed over 15 years expertise as a garden designer and as an artist with inherent interests in ecology and socially engaged practices.
 
Planting in Concrete – A Talk with Dimitri Launder
Thu 3 March
Dimitri Launder has been invited to contribute to Notes from the Field: Commoning Practices in Art and Science, as speaker and workshop leader. In this talk Dimitri will talk about his work as Artist Gardener.
Dimitri’s projects as Artist Gardener offer a gentle provocation to an apocalyptic view of urban ecological sustainability. His work often explores the liminal issues between public and private use of space, aspiring towards transformative urban propagation. Launder’s project Apothecary Arboretum is featured in Arte Util’s archive the aim was to create a garden both medicinal and edible, in a concrete neighbourhood. From this living eco-system of vertical, apothecary sculpture: prototype 1.0, he discusses his approach to his merging medicinal, historical, social knowledge in an urban context.
His experience in this grafted practice has developed over 15 years expertise as a garden designer and as an artist with inherent interests in ecology and socially engaged practices.

Invasive Ecology – A Working Group with Fran Gallardo
Thu 17 March
As part of a weeklong residency artist researcher Fran Gallardo, invites you to join in a group led discussion on invasive species.
We will be joined by Dr Shonil Bhagwat: Senior Lecturer in Geography at the Open University and Environmental Geographer, with broad research interests at the cross-section between natural and social sciences. His research centers on the links between environment and development. In particular, it engages critically with discussions on a variety of key environmental concerns: agriculture and food security, biodiversity conservation, climate change, ecosystem services, and sustainability. It addresses these perceived grand environmental challenges within the context of growing discussion on the Anthropocene, the age of humans.
About the workshop:
Non-native plants, animals and organisms can have detrimental effects on our environment, health and ecology – they are considered to be a form of biological pollution.
The debate and discussion will explore whether we should elevate species such as the Transexual Mitten Crab and Japanese Knot weed, to fine dining ingredients when they attack and corrode the structural integrity of our concrete landscapes and affect our boats and flood defences. Shipping industries as well as oceanic currents and global warming are often held responsible for transporting species across the globe. With Dr Bhagwat we will discuss how to think differently about invasiveness, and how to apply new tactics to engage and live with ‘novel ecosystems’, whilst also leaving space for wildness in a human-dominated planet?  
 
Talking Dirty: Tongue First Research at the Mouth of the Thames Book Launch
Fri 18 March
Join us for enlivening evening with refreshments such as Earth Cola with Mycobacterium vaccae (M. Vaccae is a non-pathogenic species of Mycobacteria) and Edge Cordial made from Britain’s most valuable wild resource. Refreshments made by Fran Gallardo.  
Talking Dirty: Tongue First! was a series of public events in Leigh-on-Sea, Southend involving local foods, their source, preparation and consumption, which lead to the recipe book produced in collaboration with the situated knowledge of South Essex people. It contains instructions for cooking with estuary ingredients: from Grey Mullet Sashimi with Hair Soy Sauce and to Invasive Species Soup. The recipe book concentrates on local foods, ecology, environmental and toxicity and how interconnected webs of industry, culture, living beings and pollution form the estuaries complex ecosystem.
 
Explore the Thames Estuary with your Tongue – With Fran Gallardo
Sat 19 March
Join Fran Gallardo for a day of tasting, sensing and thinking through the Thames Estuary .
Fran will present intriguing recipes that represent and re-imagine webs of connections between gastronomy and ecology within many environments: from mud, human microbiomes, ships, landfills and human-made islands.

 

Artists

Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specialisations including computer graphics and web design, film/video, photography, text art, book art and performance. Formed in 1987, CAE's focus has been on the exploration of the intersections between art, critical theory, technology and political activism. The group has exhibited and performed at diverse venues internationally, ranging from the street, to the museum, to the internet. Museum exhibitions include the Whitney Museum and the New Museum in NYC, Corcoran Museum in Washington D.C., ICA in London, MCA in Chicago, Schirn Kunsthalle in Frankfurt and the Natural History Museum in London.
 
YoHa (English translation 'aftermath') is a partnership between artists Graham Harwood and Matsuko Yokokoji, formed in 1994. YoHa's graphic vision and technical tinkering, has powered several celebrated collaborations, establishing an international reputation for pioneering critical arts projects. Harwood and Yokokoji co-founded the artists group Mongrel (1996-2007) and established the MediaShed a free-media lab (2005-2008). In 2008 they joined Richard Wright to produce Tantalum Memorial shown in nine countries and 15 cities over four years. In 2010 YoHa produced Coal Fired Computers before embarking on a series of works about the lived logics of database machinery including Invisible Airs (2011) and Endless War (2012).
 
Tania Bruguera is a Cuban, politically motivated performance artist that explores the relationship between art, activism, and social change in works that examine the social effects of political and economic power. By creating proposals and aesthetic models for others to use and adapt, she defines herself as an initiator rather than an author, and often collaborates with multiple institutions as well as many individuals so that the full realization of her artwork occurs when others adopt and perpetuate it.
 
Fran Gallardo’s background is in systems engineering. He is a member of the Environmental Art Activism movement. Fran's work explores interfaces for culture in technology and ecology. In 2015, he lead the Arts Catalyst project Talking Dirty! Tongue First: Experiments at the Mouth of the Thames. This was a series of public events including citizen science workshops, involving local foods, their source, preparation and consumption.
 
Andy Freeman is an artist, educator, technologist and former oyster farmer. Andy has worked with software and community arts projects and was founder member of the Australian Network for Arts and Technology. Based on his arts practice and his teaching at Goldsmiths College, Andy has developed a practice that involves the combination of open data tactics and community engagement.
 
Dimitri Launder’s projects as Artist Gardener offer a gentle provocation to an apocalyptic view of urban ecological sustainability. His work often explores the liminal issues between public and private use of space, aspiring towards transformative urban propagation. Launder’s work has been commissioned by organisations including Tate Modern with his Apothecary Arborimum and RHS Hampton Court Palace Flower Show for Tales Of The NOOSPHERE recently featured in the Arte Útil archive. His ideas cross pollinate between commercial private gardens, public commissions and emergent ideas in his art practice. His experience in this grafted practice has developed over 15 years expertise as a garden designer and as an artist with inherent interests in ecology and socially engaged practices.
 
Veronica Ranner is a designer, artist and researcher living and working in London. She researches the burgeoning domain of the bio–digital — a converging knowledge space where digitality and computational thinking meet biological matter. She dissects and creates tangible and immaterial manifestations of such collisions, examining hereby the polyphonic potential of alternative technological futures. Her current doctoral work explores paradigm shifts in reality perception by coupling speculative (bio)material strategies and information experience through design research.
 
By combining fringe communities, ethnographic research and speculative design, Lisa Ma socializes activism through unusual platforms of engagement. These social events are perceived as activism but function as services and deeply resonate with the global technological community.
 
Sylvia Nagl is a transdisciplinary complexity scientist who works on the interdependence of human and natural systems. She is interested in how the dynamic interactions of people with each other, with wider social, economic, political, and technological systems – and with ecological and earth systems – form ever more complex networks of relationships. 'Health' depends on these relationships acting together in a life-enhancing way. Interconnectedness is central to the health of individuals and communities, and the well-being of the living planet Earth.
 
Ben Vickers is a curator, writer, network analyst, technologist and luddite. He makes a living and finds a vocation in understanding how systems of distribution, both human and other, come to affect our personal perception of reality. Vickers is currently Curator of Digital at the Serpentine Gallery, co-runs LIMAZULU Project Space, is an active member of EdgeRyders, leads Brighton University’s Professional 'Reality' Development Program and facilitates the development of unMonastery, a new kind of social space designed to serve the local communities of towns or small cities throughout Europe in solving key social and infrastructural problems.
 
Fernando García-Dory is an artist that engages specifically with the relationship between culture and nature now, as manifested in multiple contexts, from landscape and the rural, to desires and expectations concerned with identity, through to global crisis, utopia and the potential for social change. He studied Fine Arts and Rural Sociology, and now prepairing his PhD on Agroecology.
 
For over 20 years, Neal White has critically explored art in relation to new ideas, forms and technologies. As part of numerous collaborative endeavours – he has been developing projects, research and artworks, publications, archives, fieldworks, critical excursions as bus tours and exhibitions with academics, architects and activists. His current work explores situated practices and knowledge - drawing together environmental and ecological matters of concern with marine biologists, ecologists, coders, architects and volunteers in Poole Harbour and Brownsea Island, Dorset for Arts Catalyst's Test Sites programme.
 
The Centre for Alternative Technology (CAT), situated in Wales, is an education and visitor centre demonstrating practical solutions for sustainability. It covers all aspects of green living: environmental building, eco-sanitation, woodland management, renewable energy, energy efficiency and organic growing. CAT is concerned with the search for globally sustainable, whole and ecologically sound technologies and ways of life. Within this search the role of CAT is to explore and demonstrate a wide range of alternatives, communicating to other people the options for them to achieve positive change in their own lives.
 
The British Society for Social Responsibility in Science (BSSRS) was the centre of a 'radical science' movement in the 1970s. The society was formed out of a campaign in 1968 against university research on chemical and biological weapons. Some of those who joined in the early days had a previous record of activism against nuclear weapons, through Scientists Against the Bomb, and the Campaign for Nuclear Disarmament, or in other left movements.
 

Support

This project is supported by The Arts Council England, with in-kind support from The Block.

 

Editorial checked: 
Taxonomy - geographies: 
Project
Exhibition

Graveyard of Lost Species

An ambitious collaborative project and public monument by artists YoHa and Critical Art Ensemble in partnership with Arts Catalyst

The Graveyard of Lost Species is a temporary public monument, created from a local wreck, the Souvenir - a 40ft 12 ton Thames Bawley fishing boat, which was reclaimed from the estuary mud. With the names of varied "lost species" (flora, fauna, occupations, words) from the estuary laser carved onto the boat’s surface and interior, she was sailed back and installed on the Leigh marshes as a part of the local landscape.

During 2015 and 2016, the artists led a set of enquiries with people in Leigh-on-Sea and Southend to gather local knowledge of and expertise about "lost species" - wildlife, marine creatures, livelihoods, fishing methods, landmarks and local dialects that once flourished in the Estuary and are now disappearing. Working with local craftsmen, the artists then laser cut the lost species into the vessel’s surface.

The project is intended to act as a monument to Leigh’s past and future, as well as uncovering and highlighting local knowledge about the changing ecology, society and industry of the Thames estuary.

The artwork is dedicated to the people of Leigh and Southend.

Graveyard of Lost Species is part of 'Wrecked on The Intertidal Zone', an art and citizen science project that uncovers and highlights local knowledge about the changing ecology, society and industry of the Thames estuary. Artists YoHa, Critical Art Ensemble, Andy Freeman and Fran Gallardo, with The Arts Catalyst, are collaborating with local people in Southend and Leigh-on-Sea.

See the Wrecked website for videos and artists updates:

 
Graveyard of Lost Species Launch Event Programme
Sat 23 July 2016
2.30pm – 3.30pm Artist talk, Focal Point Gallery, Southend
With artists Yoha (Graham Harwood and Matsuko Yokokoji) and Critical Art Ensemble (Steve Kurtz, Steve Barnes and Lucia Sommer), chaired by Claudia Lastra, Programme Manager, Arts Catalyst.
The artists will discuss their long-term project Graveyard of Lost Species, an anti-monument inscribed with lost and disappearing species of the estuary based in Leigh-on-Sea. The anti-monument is a 30ft boat wreck that will slowly corrode. It is now installed publically on the salt marshes near to the gateway to the Thames. The artist duos will discuss their unique collaboration, as well as processes and production of the project.
Emerging in the late 1980s, Critical Art Ensemble and YoHa are pioneers in a radical art practice that deployed new media as a tactical tool to re-claim, rethink and re-envisage the politics, popular media and artistic practice of the time.
 
3.30pm – 4.30pm Travel to site of Graveyard of Lost Species installation at Leigh on Sea.
 
4.30pm – 6.00pm Reception and installation viewing on site
Please bring waterproof footwear as the marsh area is very muddy. The location is less than 10 minutes walk from Leigh-on-Sea train station, there are parking bays at Leigh-on-Sea station and Leigh Marshes car park.
Arrive at Leigh-on-Sea train station, when exiting turn right towards the Estuary, walk past the car park (on your right) and walk towards the estuary path. Walk along the estuary path (west) towards Benfleet, you will come to a cross path and a hard standing where the boat is situated.
Travelling to Leigh-on-Sea for drinks reception
 
Sponsors
This project is sponsored by Cory Environmental Trust and Arts Council England
 
Thanks
Focal Point Gallery and Southern Borough Council
 

Artists

Graveyard of Lost Species is led by artist group YoHa, Graham Harwood and Matsuko Yokokoji, who have worked together since 1994 and are local Leigh-on-Sea residents. YoHa's polemical vision and technical tinkering has powered several celebrated collaborations, establishing an international reputation for pioneering critical art and socially engaged projects. Harwood and Yokokoji co-founded the pioneering artists’ group Mongrel (1996-2007) and established the MediaShed, a free-media lab (2005-2008), which reached international fame through its film ‘Duallists’ shown at over 30 film festivals around the world.
 

Critical Art Ensemble undertook a residency in Leigh-on-Sea, building on research from two previous visits, working alongside Yoha on Lost Species. Since 1987, Critical Art Ensemble has explored the intersections between art, critical theory and political activism. Projects have included recreating historical bio-warfare experiments off the coast of Scotland; setting up a lab in a gallery to reverse engineer genetically modified seeds; and planting endangered flowers on public lands and urban social space threatened by property developers.

 

Funders and Supporters

This project is supported by The Arts Council England and Arts Catalyst. Many thanks to Leigh Town Council, Southend Borough Council, Metal (Southend) and Belton Way Small Craft Club with advice from Natural England and Essex Wildlife Trust.
Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Taxonomy - themes: 
Exhibition
Commission

Talking Dirty: Tongue First! Experiments at the Mouth of the Thames

Calling people of Essex join us for a Southend tongue first experimentation and citizen science workshops!

'Talking Dirty: Tongue First!' is a series of public events involving local foods, their source, preparation and consumption, leading to a recipe book produced in collaboration with the situated knowledge of South Essex people, containing instructions for cooking with estuary ingredients: from Thames fish to back garden elderflower cordial.

Through public, cooking and eating workshops in Leigh-on-Sea, we will create public tastings that explore environmental change. Alongside these tastings, citizen science workshops will investigate the traces of waste disposal on the 'unnatural' nature reserve of Two Tree Island in Leigh-on-Sea.

The project is led by local Southend artists Fran Gallardo, YoHa and Andy Freeman with environmental chemist and food scientist Mark Scrimshaw.

The citizen science workshops will involve using digital and mobile technologies to investigate the legacy of generations of industrial use (and misuse) in the estuary landscape.

Talking Dirty is part of Wrecked on The Intertidal Zone, an art and citizen science project that will uncover and highlight local knowledge about the changing ecology, society and industry of the Thames estuary. Artists YoHa, Critical Art Ensemble, Andy Freeman and Fran Gallardo, with The Arts Catalyst, are collaborating with local people in Southend and Leigh-on-Sea.

See the project website for more information: http://www.tonguefirst.com/
 

Events & Workshops


Open Jamming at Leigh-on-Sea Maritime Festival. Come one, come all!

Date: Sunday 2 August 2015, 11am – 4pm

Location: Victoria Wharf, Leigh-on-Sea, Southend
Booking: No booking required
Join local artists Fran Gallardo and YoHa at Leigh-on-Sea's annual Maritime Festival. You will find us somewhere among the sea shanties and Maldon oysters. We encourage you to bring berries and edible flowers samples from your garden, park or elsewhere to create an 'Open Jamming' (please bring the postcode as well). We will prepare jam, cordials and other seasonal cocktails on which you can choose from where berries have the sweetest earthy taste, which elderberries tickle your tongue the most, and create collective jam and cordials!
PS: We would love to hear about your recipes using local ingredients
Fluids and Mud Science (citizen science workshop 1)

Date: Saturday 15 August 2015, 10am – 5pm
Meeting Point: Fishermens Chapel, New Road, Leigh-on-Sea, SS9

Booking: please email admin@artscatalyst.org
Investigate Two Tree Island in this day workshop led by Andy Freeman with Two Tree scientific expert Dr Mark Scrimshaw (Reader in Environmental Chemistry at Brunel University) to explore the use of scientific testing outdoors. Participants will learn about and make observations of a range of gases and contaminants found in the air and water in the Thames estuary using testing kits. Observations will be geotagged using mobile phones and then uploaded to a custom digital map of the locality and shared online.
Wildlife and Not So Wild Life (citizen science workshop 2)

Date: Saturday 22 August 2015, 10am – 5pm

Meeting Point: Fishermens Chapel, New Road, Leigh-on-Sea, SS9

Booking: please email admin@artscatalyst.org 
Andy Freeman and Mark Scrimshaw with local reserves manager Marc Outten (Essex Wildlife Trust) lead this workshop, which will bring together wild life spotting, digital technologies and scientific testing of the elements. Get to know your fellow organisms, animals and local inhabitants of this complex nature reserve, including the people and industries that surround it.
Public Tasting: Explore your Tongue

Date: Sunday 30 August 2015, 7pm - 8pm)
Location: High Street, Belton Way Beach, Leigh-on-Sea, Southend (follow the railway line along High Street towards the cockle sheds)
Fran Gallardo will lead an open air cooking experiment for using local ingredients (menu released on the day). Fran will present intriguing recipes that represent and re-imagine webs of connections between gastronomy and ecology within many environments: from human microbiomes, eels, fungi, geese, ships, landfills and human-made islands. Come and taste, smell and dive into the sensorial experience of the estuary and all its complex delicacies!


Leigh Regatta: Chachacha with Local Ingredients

Date: Sunday 20 September 2015, 10.30am – 5pm

Location: High Street, Belton Way Beach, Leigh-on-Sea, Southend (follow the railway line along High Street towards the cockle sheds)
Before Autumn sets in, the artists and The Arts Catalyst will present one more chance for a tongue first exploration. Come and join us for a sensory undressing of the estuary where you can try a mixture of ingredients collected and prepared from the estuary! Artist Andy Freeman will be conducting scientific testing of local edible plants and food between 2pm - 4pm. Please drop by!

Artists Residency: Tongue First Research Centre

Date: January 2016 (exact dates announced soon)

Location: The Arts Catalyst, 74-76 Cromer Street, London WC1H 8DR

Fran Gallardo will lead a week long residency at the Arts Catalyst's Centre for Art, Science and Technology. Further details announced in September.
 
Talking Dirty is supported by a Wellcome Trust People Award, Arts Council England and Leigh Town Council.
 Many thanks to the Institute of Environmental, Health and Societies (Brunel University), Belton Way Small Craft Club, BioHackspace LondonEssex Wildlife Trust, Natural England, Leigh Marina Secure Measures Ltd., Southend Council and Metal (Southend).
 
Please note we do not encourage large groups of people foraging or collecting plants from local areas along the estuary. The Two Tree Island is considered a Site of Specific Scientific Interest (see https://www.gov.uk/government/organisations/natural-england) and is a National Nature Reserve (see  http://www.essexwt.org.uk/reserves/two-tree-island) where wildlife is not to be disturbed.   
 

Artists

Fran Gallardo’s background is in systems engineering. He is a member of the Environmental Art Activism movement. Fran's work explores interfaces for culture in technology and ecology. In 2015, he lead the Arts Catalyst project Talking Dirty! Tongue First: Experiments at the Mouth of the Thames. This was a series of public events including citizen science workshops, involving local foods, their source, preparation and consumption.
 
Andy Freeman is an artist, educator, technologist and former oyster farmer. Andy has worked with software and community arts projects and was founder member of the Australian Network for Arts and Technology. Based on his arts practice and his teaching at Goldsmiths College, Andy has developed a practice that involves the combination of open data tactics and community engagement. In 2015, he lead citizen science workshops alongside Fran Gallardo, YoHa and Arts Catalyst on the project Wrecked on the Intertidal Zone. Andy has been invited to partake in a research residency in 2016, as part of Arts Catalyst's multi-faceted project Notes from the Field: Commoning Practices in Art and Science. 
 
YoHa (English translation 'aftermath') is a partnership between artists Graham Harwood and Matsuko Yokokoji, formed in 1994. YoHa's graphic vision and technical tinkering, has powered several celebrated collaborations, establishing an international reputation for pioneering critical arts projects. Harwood and Yokokoji co-founded the artists group Mongrel (1996-2007) and established the MediaShed a free-media lab (2005-2008). In 2008 they joined Richard Wright to produce Tantalum Memorial shown in nine countries and 15 cities over four years. In 2010 YoHa produced Coal Fired Computers before embarking on a series of works about the lived logics of database machinery including Invisible Airs (2011) and Endless War (2012).
Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Taxonomy - themes: 
Experience
Event

Fruits of the Thames

As part of Wrecked on the Intertidal Zone, a series of investigations into the Thames Estuary we are holding three workshops in Leigh-on-Sea to digest and map the Fruits of the Thames.

 

Because of the delicate ecosystems, each workshop is limited to 15-20 participants, please book using the booking links below.  The workshops are free, light refreshments will be provided.  Please bring a packed lunch or plan to buy your lunch in Old Leigh, where we will be at lunchtime and you can enjoy the local Fruits of the Thames, Maldon Oysters for just 75p each.

These workshops lead on from the workshop Eating and Smoking the Flowers of the Thames held in July 2014 at Leigh-on-Sea's Maritime Festival.

Catastrophe can afford a certain optimism. Many would say the worst has already happened to Two Tree Island, Leigh-on-Sea, situated on the north bank of the Thames Estuary. From 1936 to the mid-1980s the site was used as landfill and a sewage works, leaking PCBs, DDT and other nasties into the salt marsh. Southend-on-Sea and Castle Point local authorities have little data about what lurks beneath the uneven rubble, plastic bags of dog poop, half-empty 1950s Brasso tins, chip wrappers and the ruins of long-forgotten Southend-on-Sea property booms. In 2004, the Island’s chemical cocktail leached into the genomes of surrounding shellfish percolating to public attention in Parliamentary questions.

In recent years Essex Wildlife Trust and a host of local volunteers have transformed the Island into a haven, allowing wild Essex to perch on top of its abandoned urban filth. Today beautiful — and sometimes exotic — wild apples are tempting to eat, blackberries flourish and cry out to be jammed; fennel, shellfish and sea aster spring from once-contaminated soil. Two Tree Island is not too different from anywhere else in the UK, where the worst of poisonous substances and their potential hide beneath the surface.

Workshop Details 

Mud Larks among the Eel grass with Paul Huxster

Sat 13 September, 8.30am - 1pm
Picking up point: Leigh-on-Sea railway station, Belton Way, Leigh-on-Sea, SS9 2ET
Dropping point: Old Leigh

Using geo-locating devices such as smartphones, geo-tagging photo-cameras and GPS devices we will assist amateur biologist and gardener Paul Huxster studying Eelgrass and Cordgrass spatial fluctuations across Leigh’s tidelands. Local micro and macro biodiversity depends of these two plant species.

In the 19th century various Cordgrass species were introduced to the tidelands of Two Tree Island, as a low-end land reclamation experiment to expand Old Leigh's public land for grazing sheep. It proved a resounding failure for the positivist minds of land speculation. Today Cordgrass is an attractive nutrient for invasive grazers as they migrate toward the Estuary’s warming waters. And both Cordgrass and grazing animals are steadily establishing in the area. However, siltation processes are also altering the local environment, and as sea temperature rises, Eelgrass species are being pushed from Essex shorelines northwards, affecting in turn many other the breeding, feeding and migration of other species.

Images will be compiled using the hashtag: #mudwalkingleight. An interactive map and extensive documentation will be produced to help Paul Huxster to track this complex yet contentious process in which science oughtn’t have the only say. We want to reflect upon what constitutes native or non-native ecology and what defines novel versus historical ecosystems in an age in which human activity constitutes the main force driving ecosystems’ change. And, above all, contemplate the cultural systems we use to value them.

The tide on the day will be early, so we need to start walking by 9am. Participants should bear on mind that the event is demanding physically; appropriate gear (listed below) is essential, especially tight wellies and a strong stick for walking. It will take about 2-2.5 hours to walk the mud, then after little rest and light refreshment, participants will get a chance to add their data, images and observations to online maps produced on the day or produce their own map. 

Protective clothing and equipment
To take part in this workshop you will need comfort clothing and rainwear, tight-fitting wellies and strong walking stick (boots and stick are critical for walking on the estuary). Smartphones or GPS devices are welcome but please bring a plastic bag to keep the dry.

Free workshop, light refreshments will be provided.  Please bring a packed lunch or plan to buy your lunch in Old Leigh, where we will be at lunchtime and you can enjoy the local Fruits of the Thames, Maldon Oysters for just 75p each.

Digital Mapping, Introduction to Citizen Science with Andy Freeman

Sun 14 September 10am - 4pm
Meeting point: The Fisherman’s Chapel, New Road Methodist Church, New Road, Leigh-on-Sea, SS9 2EA (5 minutes walk from Leigh-on-Sea railway station)

With GPS enabled camera phones and free online tools its now easier than ever to make useful, fun and beautiful maps that can show anything from your holiday snaps to the distribution of edible plants in polluted soil.

Andy Freeman will introduce a range of techniques for making and sharing maps using simple digital methods. The workshop includes a walking tour of Two Tree Island where participants will learn how to collect geo-tagged images and data using either their mobile phone or equipment supplied on the day. Data we hope to collect and map on the day includes:

  • aerial photography using a drone and/or kite (weather dependent)
  • geo-tagged photos
  • air quality
  • sampling water for pollutants
  • ambient sounds
  • ambient electromagnetism
  • background radiation
  • the blueness of the sky (using a cyanometer)

Participants will get a chance to add their data, images and observations to online open maps produced on the day or produce their own map. The workshop runs from 10am-4pm and includes light refreshments. Participants are welcome to bring their own laptops, tablets and cameras to build their own maps as wi-fi will be available, but this is not a requirement of participation.

Protective clothing and equipment
To take part in this workshop you will need comfort clothing, walking shoes and rainwear. You can also bring smartphones, laptops, tablets and cameras as wi-fi will be available for the indoor parts, but this is not a requirement for participation in the workshop.

Free workshop, light refreshments will be provided.  Please bring a packed lunch or plan to buy your lunch in Old Leigh, where we will be at lunchtime and you can enjoy the local Fruits of the Thames, Maldon Oysters for just 75p each.

Supported by Dave Black from BlackWing Services http://blackwingservices.com/

Wild eating amongst the rubble and chip wrappers with YoHa

(Joint workshop with Digital Housing Hub project in association with South Essex Homes)

Sat 20 September 10am - 4pm
Picking up point: Leigh-on-Sea railway station, Belton Way, Leigh-on-Sea, SS9 2E
Dropping point: The Fisherman’s Chapel, New Road Methodist Church, New Road, Leigh-on-Sea, SS9 2EA

YoHa will guide you through the potential hazards of eating wild herbs, plants and fruits of the former landfill site of Two Tree Island. We will meet you at the Leigh-on-Sea station and go for walk and collect edible plants along the way. After the walk we will move to Fisherman’s Chapel in Leigh where we will make some lunch out of what we harvest in the morning and taste them.

Protective clothing and equipment
To take part in this workshop you will need comfort clothing and rainwear and walking shoes. Bring a small sharp knife or secateurs & a plastic container for harvesting edibles.

Free workshop, light refreshments will be provided.  Please bring a packed lunch or plan to buy your lunch in Old Leigh, where we will be at lunchtime and you can enjoy the local Fruits of the Thames, Maldon Oysters for just 75p each.

Links

Mud walking June 2014 http://vimeo.com/101228535

Interview at the workshop "Eating and Smoking the Flowers of the Thames" on Leigh maritime festival July 2014 https://www.youtube.com/watch?v=T5DJPqsImvs

YoHa website about this project http://yoha.co.uk/wrecked

Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - geographies: 
Event

The Garden Shed Lab

A 2011 installation associated with the exhibition, Laboratory Life, at Lighthouse in Brighton, and toured at Microwave Festival in Hong Kong later that year (2011).

This group, led by artist Kira O'Reilly and in collaboration with Valerie Furnham, Columba Quigley and Genevieve Maxwell, exhibited work-in-progress featuring a garden shed lab containing a self-made sterile hood incubator, lab equipment and photographs and video made on site. The goal, using 100 years-old tissue culture technology, was to create cell cultures from incubated chick embryos and to re-create Thomas Strangeways' 1926 tissue culture experimentation.

Laboratory Life the result of nine days in a collaborative open laboratory, was an exhibition of five bioscience-themed projects created by twenty one international artists, scientists and doctors conceived and led by Andy Gracie (based upon Media Lab Prado's model), and organised by The Arts Catalyst and Lighthouse Arts.

Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - themes: 
Experience
Commission

The Quest for Drosophila Titanus

A 2011 installation associated with the exhibition, Laboratory Life (2011) at Lighthouse in Brighton, and toured at Microwave Festival in Hong Kong later that year.


Led by artist, Andy Gracie, and collaborating with Kuai Shen Auson, Janine Fenton and Meredith Walsh, the group of artists and scientists exhibited their work-in-progress aimed at developing a new species derived from various phenotypes of Drosophila melanogaster (the fruit fly) adaptable to environmental conditions found on the moon, Titan, via exposure to various simulated environmental conditions of this moon.

The apparatuses associated with this astrobiological experiment included the experimental chamber, video documentation of the experiments, a printed manual describing the experimental process, the breeding colony (formed by selecting the most vigorous flies from each experiment), and the memorial to failed individuals.

Laboratory Life, the result of nine days in a collaborative open laboratory, was an exhibition of five bioscience-themed projects created by twenty one international artists, scientists and doctors conceived and led by Andy Gracie (based upon Medialab Prado's model), and organised by The Arts Catalyst and Lighthouse Arts, Brighton.

Editorial checked: 
Taxonomy - artists practice: 
Taxonomy - themes: 
Experience
Commission

Pages