Crafting Life: Materiality, Science and Technology Symposium

Crafting Life symposium explored how crafted life forms create an interplay between art, design, science and technology.

The symposium was part of the opening day programming around the Transformism exhibition of work by Melanie Jackson and Revital Cohen.

The cultivation and crafting of biological life has existed for centuries, both for aesthetic and practical purposes. Today, with the advancement of bioscientific tools, techniques and materials, these new forms are now not only produced by farms and individuals, but in laboratories and factories, with 'crafting' taking place on the molecular level.

In this symposium, we will begin to examine, from different disciplinary perspectives, some of the implications of applying new scientific and technological tools to the manipulation of living forms and systems, what this means for our relationship with non-human life, and the new realm of aesthetic and forms it opens up.

Prof Susanne Kuechler is head of Anthropology department at UCL, Director of Masters Programme in Culture, Materials and Design, and co-editor of the Journal of Material Culture. Her current research is in new material, new technologies and society: their innovation, take-up, classification and transmission, material-aesthetics and the anthropology of art, and she specialisises in pacific anthropology and ethnographic collections.

Dr Emma J Roe is a lecturer in Human Geography in Geography and Environment at the University of Southampton. She specialises in bodily cultural geographies, specialising in bodily cultural geographies of human-nonhuman relations, embodied material ethics and practical experience of consumption.

Prof Raymond Oliver is a lecturer in Interactive Materials in the P³i - D:STEM Interaction Studio Lab at Northumbria University, a chemical engineer with 20 years expertise through a variety of senior research and technology management posts in a global chemicals and materials company. P³i - D:STEM Interaction Studio Lab specialises in Synthetic Biology, Organic electronics, Sensors and Mircrofluidics, Nano materials and technologies into practical, usable, desirable solutions for tomorrow’s issues today.

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Radical DIY: artist-makers of extraordinary and poetic machines

An evening of talks with artists who make extraordinary and poetic machines.

From homemade satellites, rainbow and tornado generators, handmade particle accelerators, and weapons of mass amiability the talks covered their projects and ideas - Hojun Song, Owl Project, Alistair McClymont and Patrick Stevenson-Keating. Together, their work provides a quirky and compelling critique of the allure and production of technology. 

Korean artist Hojun Song has built a fully functioning satellite. His tiny satellite is a DIY engineering masterpiece: he hacked together a solar cell, a lithium-ion battery, an Arduino board, and four powerful LED lights. The cube will transmit Morse code messages that can be seen from back on Earth. He has set up the Open Source Satellite Initiative to ensure others can follow. In 2010, he made the Strongest Weapon in the World - I Love You. If you hit it – with an extremely large mallet - it says “I love you”. It can withstand a nuclear attack. His Radioactive Jewlry meanwhile is not for those wishing for long life.

Alistair McClymont makes night-time rainbows, suspends raindrops in mid-air and creates tornadoes with deceptively simple machines. A UK based artist working in sculpture, photography and video, McClymont describes these as ‘phenomena’ artworks, in which he tries to capture natural, often overlooked occurrences and evoke a sense of wonder.

Patrick Stevenson-Keating is a designer who is interested in the ways emerging technologies interface with the environment and everyday life. He has created the world’s first handcrafted glass particle accelerator, using hand blown glass bulbs.

Owl Project is a collaborative group of artists consisting of Simon Blackmore, Antony Hall and Steve Symons. They work with wood and electronics to fuse sculpture and sound art, creating music making machines, interfaces and objects, which intermix pre-steam and digital technologies, drawing on influences such as 70’s synthesiser culture, DIY woodworking and current digital crafts. Their Cultural Olympiad commission, Flow, with Ed Carter, is a tidemill - a floating building on the River Tyne that generates its own power using a tidal water wheel and houses electro acoustic musical machinery and instruments responding to the constantly changing environment of the river, generating sound and data.

Supported by

KiiCS

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Panning for Atomic Gold

Panning for Atomic Gold explores artistic quests for sensory perceptions of deep time through atomic materials and nuclear culture.

The symposium will make connections between Arts Catalyst’s Atomic exhibition (1998), current artistic practices and future nuclear archives. In our twentieth anniversary year the event draws on Arts Catalyst’s archive of unique documents and artefacts – revisiting work by James Acord, Mark Aerial Waller and Carey Young – and makes public these archives for the first time.

Curated by Ele Carpenter, speakers include radiological protection advisor Shelly Mobbs; scholar of Cold War literature Dan Grausam; artists Thomson & Craighead, Karen Kramer, Mark Aerial Waller and Carey Young; curator Ele Carpenter; and Arts Catalyst’s archivist Z Richter-Welch and research engineer Lisa Haskel.

Full programme of events

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KOSMICA Sound Night

A social event for artists, scientists and the cosmically curious exploring sound and sonification of space.

KOSMICA bridges Earth and space through art and other cultural experiments out of this world. Our next informal gathering for the cosmically curious will bring together artists who explore the sounds and sonification of space and our planet: Yuri Suzuki, Honor Harger and Kaffe Matthews.

The Acts

Yuri Suzuki - a sound artist, designer and electronic musician who produces work that explores the realms of sound through exquisitely designed pieces.  Yuri will present The Sound of the Earth, a spherical record project, the grooves representing the outlines of the geographic land mass. Each country on the disc is engraved with a different sound, as the needle passes over it plays field recordings collected by Yuri Suzuki from around the world over the course of four years; traditional folk music, national anthems, popular music and spoken word broadcasts.

Honor Harger - a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She's the director of Lighthouse, an arts agency in Brighton, UK. Her artistic practice is produced under the name r a d i o q u a l i a together with collaborator Adam Hyde. One of their main projects is Radio Astronomy, a radio station broadcasting sounds from space.

Kaffe Matthews - Since 1990 Kaffe has been making and performing new electro-acoustic music worldwide with a variety of things and places such as violin, theremin, Scottish weather, desert stretched wires, NASA scientists, melting ice in Quebec and the BBC Scottish Symphony Orchestra. Currently she is completing three Star Gazer chairs and album for ‘Yird, Muin, Starn,’ a vital spark collaboration with Mandy McIntosh, in the Galloway Forest, Scotland.

 

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Critical Art Ensemble: Disturbances book launch with Steve Kurtz

A joint event with Four Corners Books and introduction by Steve Kurtz to mark the launch of Critical Art Ensemble: Disturbances, a landmark handbook for activists in art, theory, science and politics.A joint event with Four Corners Books and introduction by Steve Kurtz to mark the launch of Critical Art Ensemble: Disturbances, a landmark handbook for activists in art, theory, science and politics.

Book lauch with introduction by Steve Kurtz.

Since its formation in 1987, Critical Art Ensemble has set out to explore the intersections between art, critical theory, technology and political activism. The award-winning collective of tactical media practitioners has exhibited and performed in a variety of venues internationally, from the street to the museum to the internet. Disturbances is the first book to assess the group’s 25-year history, examining the environmental, political, and bio-technological themes of their various initiatives.

In the publication, each project is presented by the group itself, from their early live multimedia productions; to their development of models of electronic civil disobedience, digital resistance, and contestational biology and ecology; to their most recent tactical media projects.

In 2006 Arts Catalyst commissioned Marching Plague, a complex multi-media project which revealed the farcical failures of governmental germ warfare programs.

Publication details

Disturbances is a landmark handbook for activists in art, theory, science and politics, published by Four Corners Books, $40.00, Pbk, 8 x 10.75 in., 272 pgs, 250 color, 60 b&w, publication 31/10/2012

Associated events

2pm Wednesday 3 October, free  public lecture by Steve Kurtz at New Academic Building (NAB) LG02, Goldsmiths College, University of London

5pm Saturday 6 October, short talk by Steve Kurtz at Marcus Campbell Art Books, 43 Holland Street, London SE1 9JR

Websites

Critical Art Ensemble

Disturbances

Four Corners Books

Marcus Campbell Books, London

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KOSMICA Mexico 2012

KOSMICA Mexico brings together earth-bound artists, astronomers, performers, space explorers and musicians from Mexico, the UK, France, Germany and the US

For its first edition in Mexico City, KOSMICA will showcase more than 15 participants actively working in cultural and artistic aspects of space exploration. Urban stargazing, cosmic music, zero gravity dance, armchair space exploration, science fiction and DIY rocket science collide in this unique and unmissable event. The ideas are fantastic but the stakes are real: reclaim space for all!

We Colonised The Moon (Hagen Betzwieser and Sue Corke) explore an idiosyncratic world view based on popular science, flexible wikipedia knowledge, graphical illustrations and various display formates.

Regina Peldszus asks - how will we actually live in space? Regina Peldszus’s work in space architecture and design explores the psychological challenges of isolation and monotony of space crew on extended exploration missions. And concerns human-technology-nature interaction in extreme environments, off-duty and medical design aspects in space and their spin-offs. She is based at the Design Research Centre and the Astronautics & Space Systems Group, Kingston University London.

Ariel Guzik designs and produces mechanisms and instruments to enquire into the various languages of nature. He is also a musician, draftsman and illustrator. He is Director of the Laboratorio Plasmaht de Investigación en Resonancia y Expresión de la Naturaleza, Asociación Civil. Installations and individual exhibitions of his work have been presented in national and international institutions.

Juan José Díaz Infante's Ulises is a nanosatellite being launched soon next year, conceptualised and developed by a Mexican group of artists during the past year: The Mexican Space Collective. Ulises is born out of the necessity of creation of parallel and alternate reality, explores the need of any citizen on Earth to be able to shape any future he wants not being dependant on the system.

Nelly Ben Hayoun considers ‘Surreal Interactions’ and proposes how we could embed creativity in our daily lives. With creations like The Soyuz Chair, Royal College of Art Design Interactions MA graduate, Nelly explores the possibilities of space tourism, weightlessness and the thrill of the unknown.

Roger Malina, astronomer, editor and Distinguished Professor of Art and Technology at the University of Texas, where he is developing Art-Science R and D and Experimental publishing research. Malina is the former Director of the Observatoire Astronomique de Marseille Provence and his specialty is in space instrumentation; he was the Principal Investigator for the NASA Extreme Ultraviolet Explorer Satellite at the University of California, Berkeley. He also has been involved for 25 years with the Leonardo organization whose mission is to promote and make visible work that explores the interaction of the arts and sciences and the arts and new technologies.

Dr Jill Stuart is Fellow in Global Politics at the London School of Economics, and reviews editor for the journal Global Policy. She researches law, politics and theory of outer space exploration and exploitation. Her interests extend to the way terrestrial politics and conceptualisations such as how sovereignty is projected into outer space, and how outer space potentially plays a role in reconstituting how those politics and conceptualisations are understood in terrestrial politics.

Antígona Segura wanted to be a rumba dancer but she was born too late. Her fascination with the skies and for the living world took her to pursue a career in astrobiology, the science that studies extraterrestrial life. She was hired by NASA Jet Propulsion Laboratory to work at the Virtual Planetary Laboratory, an astrobiology project by NASA. Currently she is a researcher at the National Institute of Astrobiology and at the Institiute of Nuclear Sciences in Mexico City. She is the President of the Mexican Society of Astrobiology.

Ale de la Puente is an artist, industrial designer, with MA in Naval Construction she deals with notions of time, memory and space by combining conceptualism with multimedia supports. Ale de la Puente has been actively working and collaborating with scientists from the National Insitute of Astronomy in Mexico where she is developing new work. She is a member of the National System of Art Makers in Mexico.

Ulrike Kubatta will introduce her film She Should Have Gone To The Moon and will talk about the process of making it. The film documents Jerri Truhill's remarkable story of as a wife, mother and aviator, and her part in Mercury 13 to become one of the first women to be trained by NASA to go into space. The film is about Jerri Truhill's ambition to conquer the unknown and the Kubatta's fascination with a woman who dared to break down all barriers in aviation. Set against the historical background of the Space Race, the documentary both constructs an intimate portrait of Truhill and explores a unique chapter in American culture and society.

Lyn Hagan is an artist and founding director of LifeInSpace. Her work principally tries to negotiate and transcend established ideas of theatricality and aesthetics. Hagan is currently developing a project with the European Space Agency for the next ExoMars Rover mission. Her suggestion is to choreograph a dance for the robot on Mars for when the scientific mission is over using its autonomous navigation system.

Partnerships

KOSMICA in Mexico has been made possible thanks to the support of the National Institute of Fine Arts (INBA), Mexico through Laboratorio Arte Alameda.

Laboratorio Arte Alameda promotes reflection and exchange of ideas between the different audiences and the electronic media art community in Mexico and worldwide, reinforcing cooperation links between learning institutions (both public and private), ministries of culture, governmental institutions in charge of science and technology, local and international cultural associations, and films and video festivals, among others.

KOSMICA is endorsed by ITACCUS, the International Astronautical Federation's Committee on the Cultural Utilisation of Space.

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Novel Forms & New Materialities

Melanie Jackson, Philip Ball and Esther Leslie discuss the ‘invisible era’ of material culture

'Novel Forms & New Materialities’ explores the radical transformations to our material world provoked by contemporary science and technology. It asks how engagement with new forms and modes of material performance promises to conjure into existence unseen materialities, narratives and possibilities. An  evening of presentations, film extracts and discussion follows an afternoon creative writing workshop. You are invited to book for one or both.

As molecular biology and nanotechnology converge, promising a proliferation of new, designed biological entities and smart materials, how is our physical environment and visual culture affected? What is at stake in these manipulations of material at this this scale? How might this reshaped matter in turn shape our visual, tactile world, as well as our dreams?

Science writer Philip Ball sets the context and considers what cultural,sociological and scientific factors have enabled these technological advancements, and our changing relationship with materials in this new “invisible era”. 

Artist Melanie Jackson and writer Esther Leslie have been collaborating on an investigation into the impulse for transformation and novel forms. Contemporary science re-imagines biological and chemical function as an engineering substrate, a complex fully programmable animate object, opening up a potential for us to “grow” any form. Goethe's idea of the Urpflanze - a primordial plant that contains within itself an infinity of potential forms – recurs startlingly in the present moment when matter, from the molecule up, is coerced to adopt fantastical forms and exhibit new behaviours. They will present readings and extracts from a forthcoming film essay and exhibition The Urpflanze (Part 2).

Afternoon writing workshop, ‘Using Biological Themes to Engineer New Fiction’, with Rachel Rodman

Rachel Rodman demonstrates how existing literary works can be recreated using techniques from molecular biology. In this workshop, we will explore metaphors comparing texts and organisms, and examine how “genetically” altered works can serve as starting points in the composition of new fiction. 

Limited places. Early booking recommended. 

Rachel Rodman earned a PhD in Biochemistry from the University of Wisconsin in 2008 and has since worked to promote innovative collaborations between fiction writers and scientists. She has taught writing workshops at the University of Wisconsin, Birkbeck, and Middlesex University. Her writing work combine themes from the biological sciences and from literature/creative writing. She has presented her work at Kingston University and at the 2010 NAWE Conference. Examples of her work can be found at LabLit, PANK, and The Human Genre Project:
http://www.pankmagazine.com/author/rachel-rodman/
http://www.humangenreproject.com/page.php?id=117
http://www.lablit.com/article/713 
http://www.lablit.com/article/679 

Speakers' Biographies

Melanie Jackson is an artist and a lecturer at Slade School of Fine Art, UCL. Recent solo exhibitions include The Urpflanze (Part 1), The Drawing Room, London (2010) Road Angel, Arnolfini, Bristol (2007), Made In China, Matt’s Gallery, London (2005). She won the Jerwood Drawing Prize in 2007. Jackson's Urplanze (Part 2), commissioned by Arts Catalyst, will be presented at the John Hansard Gallery in 2013.
http://www.melaniejackson.net

Philip Ball is a science writer with a background in chemistry and physics. He worked for Nature magazine for 20 years and has release a succession of books including Made to Measure: New Materials for the 21st Century and Stories of the Invisible: A Guided Tour of Molecules.
http://www.philipball.co.uk/

Esther Leslie is Professor of Political Aesthetics in the Department of English and Humanities at Birkbeck. She is the author of Synthetic Worlds: Nature, Art and the Chemical Industry (2005). Leslie is collaborating with Melanie Jackson on her new work Urpflanze (Part 2).
www.militantesthetix.co.uk

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Experience
Event

Parallel Universe

Experiments and reflections on science from non-Western cultures, with a major new commission, CAT by Ansuman Biswas, and performance-lecture by Paul Wong

CAT - Ansuman Biswas

In CAT, Ansuman Biswas performed an experiment / demonstration drawing on the image of Schrödinger's Cat, the famous paradox in quantum physics. The work arises from a comparative study of modern scientific methodology and the 2,500 year old Indian science of vipassana. It lasted for ten days, during which time the artist remained sealed and meditating within a light and soundproof chamber. He attempted to maintain continuous, detailed observation of all sensory phenomena.
 

Dead Man Talking - Paul Wong

A multi-media presentation by Paul Wong (Canada/China) on Western science and Chinese medical practices, with reference to cultural attitudes towards death.
 

Programme of events:

Fri 20 March:
Lecture/performance by Luis Eduardo Luna (Brazil) on the link between sound and shamanic practices in the Amazon.
Sat 21 March:
Dead Man Talking, multi-media presentation by Paul Wong.
Sun 22 March:
Presentation about Islamic science by Professor Ziauddin Sardar of Middlesex University followed by a discussion of CAT between theoretical physicist David Peat and Jungian analyst Chris Hawke
 

Artists

Ansuman Biswas was born in Calcutta and trained in the UK. He is an artist with an international practice encompassing music, film, live art, installation, writing and theatre. He is actively engaged in bridging the gap between science and art. In 2002-2003 he was artist-in-residence at the National Institute of Medical Research. He has an on-going research interest in consciousness studies, in particular the subjective emotional correlates of objective physiological states.
Ansuman has shown visual and time-based art at Tate Modern, South London Gallery, Whitechapel Gallery, the Institute of Contemporary Arts, London, IIC New Delhi, Headlands Centre, San Francisco, and many other galleries and museums around the world. He has worked as a composer and musician in a wide range of contexts from jazz to Indian Classical music, pop songs to industrial noise. He has been commissioned by the Sonic Arts Network, the National Theatre, the Royal Ballet, the English National Opera and Guangdong Modern Dance Company in China as well as numerous other ensembles, film makers, theatre and dance companies. His theatre composition credits are numerous as are his film and acting credits.

 

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Artists and Cosmonauts

Four evenings of artists' film and performance, talks and presentations, featuring legendary Russian cosmonaut Sergei Krikalev

Scientists, philosophers and artists from Britain and Russia presented reflections on the Russian space programme and the nature of living in space. With the legendary Russian cosmonaut Sergei Krikalev, member of the first mission to the International Space Station.

Friday 1 & Saturday 2 March 2002 - Lilian Baylis Theatre
MIR Flight 001

New works from The Arts Catalyst's MIR Flight 001, a multidisciplinary microgravity research laboratory for artists, scientists and philosophers at Star City, Russia.

Premieres of:

Gravity: A Love Story -  Morag Wightman & Craos Mor
Zero Genie - Jem Finer and Ansuman Biswas
Wave Particle - Jem Finer and Ansuman Biswas
Kosmos in Blue - Flow Motion
Too G - Andrew Kotting
Universal Substitute - Andrey & Julia Velkanov

Plus talks/presentations by Anthony Bull, Marko Peljhan, Kevin Fong, Louise K Wilson, Mikhail Ryklin, Anna Alchuk, Alexei Blinov

Friday 15 March 2002 - Institute of Physics
Cosmonaut Sergei Krikalev

In one of the most beautiful sequences of the film 'Out of the Present' by Berlin film-maker Andrei Ujica, the cosmonaut Sergei Krikalev, alone in space on the Mir Space Station, contemplates the rivers, the continents, the perfect sphere or a real world in the setting sun: meanwhile way down below the tanks rumble and humanity, though invisible, stirs restlessly during the collapse of the Soviet Union in 1991.

One of the most experienced cosmonauts and arguably the human who has lived longest in space, Sergei Krikaleve made a rare personal appearance between missions to debate on issues of culture and space with the artists and cosmonauts team.

Friday 19 April 2002 - Lilian Baylis Theatre
A Dancer in Weightlessness

Kitsou Dubois presented the premiere of her film (with Eric Duranteau), 'Trajectoire Fluide' (Fluid Trajectory), emerging from her 4-year research project with the Biodynamics Group at Imperial College. Professor Robert Schroter, Head of the Biodynamics Group, contextualised the project, and Dr Nick Davey, lead scientific investigator, gave a talk and demonstration of the scientific research aspects of the programme.

 

Artists

Ansuman Biswas was born in Calcutta and trained in the UK. He is an artist with an international practice encompassing music, film, live art, installation, writing and theatre. He is actively engaged in bridging the gap between science and art. In 2002-2003 he was artist-in-residence at the National Institute of Medical Research. He has an on-going research interest in consciousness studies, in particular the subjective emotional correlates of objective physiological states.
Ansuman has shown visual and time-based art at Tate Modern, South London Gallery, Whitechapel Gallery, the Institute of Contemporary Arts, London, IIC New Delhi, Headlands Centre, San Francisco, and many other galleries and museums around the world. He has worked as a composer and musician in a wide range of contexts from jazz to Indian Classical music, pop songs to industrial noise. He has been commissioned by the Sonic Arts Network, the National Theatre, the Royal Ballet, the English National Opera and Guangdong Modern Dance Company in China as well as numerous other ensembles, film makers, theatre and dance companies. His theatre composition credits are numerous as are his film and acting credits.
 
Flow Motion Anna Piva and Edward George’s interest in the cosmos has its autobiographical roots in the cold war space race of the 1960’s and the landing of the first man on the moon; in black music and its traditions of the exploration of space in sound; in metaphysical and scientific writing on the nature of our universe.
These concerns with the cosmos have surfaced in a number of ways and in a variety of permutations, though their art as Flow Motion, and their music as Hallucinator. Running through their work is a constant weaving of different senses of space, which oscillate around and sometimes blur the line between sonic space and the space of the cosmos.
 
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Everything Normal

Film event with a selection of short films from the cold war era, and more modern offerings

 
'I see the earth from space: it is beautiful.' These words have gone down in history as the first official utterance made by Yuri Gagarin in space. In reality, the flight transcript from Commander Gagarin's Vostok craft reveals that the pioneer Russian cosmonaut's actual first words translate more as, 'Everything normal - the equipment is working perfectly'. Gagarin's observation shows a touching faith in his instrument panel.
 
Everything Normal presented a selection of original short films from the cold war era, together with more modern offerings which paid homage to those grainy glory days - reflecting a time when men revelled in the company of their machines, the British space effort still existed, Heroic Soviet Achievements matched American Know-How, and with just a little more tinkering with our rockets we would all be living on the moon by 1980.
 
First film off the launchpad was Attention Weightlessness! - an excellent Soviet educational film from 1962 which shows scientists, cats and dogs enjoying the newly discovered joys of weightlessness as they tumble about onboard the precarious jet flights which prepared the way for gravity-defying space travel.
 
The programme continued with La Mission Priviet, a film by Raphaël Frydman, filmed in Kazakhstan in January 2003. The state of the Russian space program is discussed after the failure of a mysterious space launch of Soyuz, the Priviet Mission. The filmmaker tries to discover the truth of this mission: information or propaganda? The film was screened in French and Kazahk, with a live simultaneous translation.
 
First half also included the story of the conversion of a Latvian Radio Telescope for artistic purposes by the Acoustic Space Lab, Andrei Ujica's Out of the Present, and Louise K Wilson's film about an air-traffic controllers' cycling club who ride in formation down the runway.
 
Mission controller of the second half of the programme was British Lunatic Genius Andrew Kotting (maker of Gallivant and This Filthy Earth). Kotting showed his film Too G, made during an Arts Catalyst zero gravity flight; then presented a selection of shorts which included Steve Sullivan's A Whole Heap of Trouble, Guy Maddin's The Heart of the World, Phil Hall's Geoff World Destroyer and many other films which had absolutely nothing to do with the evening's otherwise admirable educational aims and purposes.
 
The evening included a screening of Otolith 1 by the Otolith Group.
 

Programme:

Otolith 1, Otolith Group, 22 minutes
Attention Weightlessness ETV. 6 minute extract
Out of the Present Andrei Ujica. 5 minute extract
RT-32 Acoustic Space Lab. 6 minute extract
The Priviet Mission Raphaël Frydma. 26 minutes
Born in 82 Juneau Projects. 2 minute extract
Runway Louise K Wilson. 8 minutes
Zero Genies 10 minutes
Surprise! Veit Helmer. 6 minutes
Heart of the World Guy Maddin. 5 minutes
Too G Andrew Kotting. 3 minutes
One Small Leap Edward Boase & James Walker. 4 minutes
Donkeyhead. Andrew Kotting & Andrew Lindsay 3 minutes
Busby Berkleys Tribute to Mae West. Paul Bush. 2 minutes
A Heap of trouble Steve Sullivan. 5 minutes
Geoff World Destroyer Phil Hall. 3 minutes All is Love Chris Cunningham. 3 minutes
 

Intervals (& after):

Archive film footage, including Russian Dogs in Space
Vengeance by Stefan Gec
Music DJ'd by Kodwo Eshun & Ewen Chardronnet
 
The Otolith Group was founded in 2002 and consists of London based Anjalika Sagar and Kodwo Eshun. The Group have drawn from a wide range of resources and materials to explore the moving image, the archive, the sonic and the aural within the gallery context. The research based work has focused on the essay film as a form that seeks to look at conditions, events and histories in their most expanded form. This work acts as a resource that is documented on The Group’s website and supports The Otolith Group's public platform – The Otolith Collective.
The Otolith Collective coexists by curating, programming, publishing and supporting the presentation of artists work, contributing to a critical field of exploration between visual culture and exhibiting in contemporary art. Curated and co-curated programmes and exhibitions include, A Cinema of Songs and People: The Films of Anand Patwardhan at the Tate Modern, The Inner Time of Television, The Journey, by Peter Watkins at the Tate Modern, On Vanishing Land by Mark Fisher and Justin Barton, the touring exhibition The Ghosts of Songs: A Retrospective of The Black Audio Film Collective 1982-1998, Harun Farocki. 22 Films: 1968-2009 at Tate Modern and the touring programme Protest conceived as part of the Essentials: The Secret Masterpieces of Cinema commissioned by the Independent Cinema Office.
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