The first exhibition of its kind, it will draw together projects that not only utilise cutting-edge technology and engineering, but have equally considered aesthetics, sustainability and human needs in their ground-breaking designs for research stations.
Initiated by the British Council and curated by Arts Catalyst, Ice Lab features four international projects: Halley VI, UK (Hugh Brougton Architects) Princess Elizabeth, Belgium (International Polar Foundation), Bharati, India (bof architekten/IMS), Jang Bogo, South Korea (Space Group), and the Iceberg Living Station (MAP Architects) – a speculative design for a future research station to be entirely made from compacted snow.
The visually rich exhibition also highlights the diverse science that takes place on the frozen continent – from collecting 4.5 billion year old meteorites that illuminate how the solar system was formed to drilling ice cores whose bubbles of ancient air reveal the earth’s climate history; from cutting edge astronomy peering into the world’s clearest skies to studying its Dry Valleys, the closest thing to ‘Mars on Earth’.
Torsten Lauschmann has made two a new audio and light works, 'Whistler' and 'Ice Diamond', in response to a commission from Arts Catalyst especially for the exhibition. The Glasgow-based artist will create this work in collaboration with ‘We Made That’, the exhibition’s designers.
Drawing on a number of archives and collections Ice Lab will include original drawings, models, photographs, films, ephemera and sources of inspiration for these highly specialised, sci-fi looking infrastructures – the closest thing to future space stations on the Moon and on Mars.
The featured projects are:
British Antarctic Survey’s Halley VI The first fully relocatable polar research station in the world became fully operational in February 2013 and signals a new dawn for 21st Century polar research. Opening 100 years after Captain Scott’s famed Antarctic expeditions, this new state of the art facility, designed by Hugh Broughton Architects and engineered by AECOM (UK) fulfils the UK’s ambition to remain at the forefront of scientific endeavour. Located 10,000 miles from the UK on a floating ice shelf, the new station is designed to be self-sufficient, able to withstand freezing winter temperatures of minus 55ºC, have minimal impact on Antarctica’s pristine environment, and be an aesthetically stimulating place to live and work.
Princess Elisabeth Antarctica
Conceived, designed, constructed and operated by the International Polar Foundation (Belgium), Princess Elisabeth is Antarctica's first zero-emission station. Perched on a nunatuk, 200km from the coast, at an altitude of 1400m, the aerodynamic stainless steel structure can withstand strong Antarctic wind, and is layered so that no form of interior heating is needed. The station seamlessly integrates renewable wind and solar energy, water treatment facilities, passive building technologies and a smart grid for maximising energy efficiency.
Bharati Research Station
India’s third Antarctic research station by bof Architekten / IMS (Germany) is a striking modernist structure made from 134 prefabricated shipping containers. Wrapped in a special aluminium case its extensive glazing offers magnificent panoramic views whilst withstanding powerful winds, below 40 degree Celsius temperatures, blizzards and unfathomable loads.
Korea is becoming a significant player in Antarctic research and Jang Bogo, by Space Group (South Korea), will be one of the largest year-round bases on the continent when it opens in 2014. The station’s aerodynamic triple-arm design will provide resistance to the elements and accommodate up to 60 personnel during the busy summer season.
Iceberg Living Station
A speculative design by David Garcia / MAP Architects (Denmark) for a future research station made entirely from ice, Iceberg Living Station negates the need to transport foreign materials to Antarctica. The station will be holed out of a large iceberg, using caterpillar excavators that are traditionally used to clear snow. It will eventually melt, resolving the issue of removing it at the end of its life course.
Accompanying the exhibition there is a publication with essays written by Dr David Walton (British Antarctic Survey and author of the recent ‘Antarctica: Global Science from a Frozen Continent’) and Sam Jacob (co-founder of FAT architects, lecturer and writer). This is available in electronic book and print format.
Commissioned and organised by the British Council and curated by The Arts Catalyst