Specimens to Superhumans was a series of four events curated by The Arts Catalyst and Shape. The events provided creative opportunities to show the work of and to provide mentoring, development and networking opportunities for disabled artists.
Labyrinth of Living Exhibits considered specimens and curiosities through infiltrating and responding to the exotic and disturbing collection of London’s Hunterian Museum at the Royal College of Surgeons. With Aaron Williamson, Sinéad O'Donnell, Brian Catling and Katherine Araniello.
At a time when the media frequently feature stories about screening for or even ‘curing’ autism, presenting it as an affliction or disease, this event explored and celebrated the special qualities of the autistic mind. With Simon Baron-Cohen, Jon Adams, Gabriel Hardistry-Miller and Ben Connors.
Benedict Phillips unleashed his dyslexic side in his performance piece 3D Thinking in a 2D World.
An event exploring the implications of the biomechanics of ageing for contemporary dance practice with Ann Dickie, Anna Bergström, Trevor Mathison, Professor Raymond Lee, Dr Siobhan Strike and Dr Jin Luo.
A two-day practical workshop with award-winning filmmaker John Williams creating short films that imaginatively address themes of disability, bioethics and prosthetics. This practical and inspiring two-day workshop gave disabled artists who already work with film/video and disabled emerging filmmakers an opportunity to explore and extend their work in these media.
Hunterian Museum, London 12 May 2011
Labyrinth of Living Exhibits considered specimens and curiosities through infiltrating and responding to the exotic and disturbing collection of London’s Hunterian Museum at the Royal College of Surgeons. The audience had the chance to explore the displays while encountering four simultaneous site-specific performances curated by Aaron Williamsion and commissioned by Shape and The Arts Catalyst to respond to the museum's permanent collection: Aaron Williamson, Sinéad O'Donnell, Brian Catling and Katherine Araniello. This was followed by a panel discussion. Artists Aaron Williamson and Katherine Araniello, were joined on the panel by Brian Hurwitz, D’Oyly Carte Professor of Medicine and the Arts at Kings College, and Sam Alberti, Director of the Hunterian Museum, for a discussion about the historical representation of disability and contemporary approaches taken by the medical community, chaired by the Richard Hollingham.
Full-length panel discussion could be seen in the videos below:
Cheltenham Science Festival, 10 June 2011
Exploring the Autistic Mind
At a time when the media frequently feature stories about screening for or even ‘curing’ autism, presenting it as an affliction or disease, this event explores the special qualities of the autistic mind. Simon Baron-Cohen, Director of the Autism Research Centre, discusses creativity and the autistic mind with artist and geologist, Jon Adams, who has Asperger’s Syndrome, Gabriel Hardistry-Miller, a non-verbal young man with autism who, with artist Ben Connors, runs a music, performance and poetry club.
Gabriel & Ben's video- How We Met can be viewed here:
In this humorous and thought-provoking performance, artist Benedict Phillips unleashes his dyslexic side as ‘The DIV’ highlighting and examining our presumptions about intelligence, communication and perception, unravelling the numerous misconceptions surrounding dyslexia and presenting the unusual advantages it brings.
Roehampton University Dance Faculty, London, Thursday 22 September 2011
An event exploring the implications of the biomechanics of ageing for contemporary dance practice.
While traditional dance science looks at how to enable an elite dancer to achieve perfection in both performance and aesthetics, this participative event will seek to explore what we can learn from the science of ageing about how a disabled or older dancer’s body works and what they need in order to perform to full capacity and to unlock their body’s full potential.For both older and disabled dancers, achieving elite standards may be neither possible nor what they are striving for, and this event explored the nuances between the social model of disability and the medical model of ageing, to see what common ground emerges.
The collaborative event, hosted by the University, was led by choreographers Ann Dickie, Director of From Here to Maturity Dance Company and Anna Bergström, Associate Artist at Candoco Dance Company, audio and digital artist, Trevor Mathison. Drawing from expertise across Roehampton University, Professor Raymond Lee and his colleagues Dr Siobhan Strike and Dr Jin Luo from the Active Ageing Unit at Life Sciences Department also participated in the event. We are grateful for the support of Roehampton University’s Dance Faculty and for the input from Louise Portlock and Frank McDaniels from Gloucestershire Dance.
Two-day filmmaking workshop for disabled artists and filmmakers, part of DadaFest, 30-31 July 2012
John Williams, a writer/director with over 10 years experience, whose films combine live action, animation and visual effects, engagingly dealing with highly sensitive subjects, including mental health (‘Robots’), young children dealing with the death of a friend (‘Hibernation’) and a child’s complex feelings towards his robotic dialysis machine (‘Paraphernalia’), led the two day practical workshop.
Gary Thomas from Disability Arts Online attended the workshop and created this film.
Funded by a Wellcome Trust People Award, and Arts Council England